1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:19,070 --> 00:00:21,610 ♪ Seven thirty seven Comin' out of the sky ♪ 4 00:00:21,611 --> 00:00:24,250 ♪ Won't you take me down To Memphis on a midnight ride ♪ 5 00:00:24,320 --> 00:00:26,041 ♪ I want to move ♪ 6 00:00:26,111 --> 00:00:28,791 ♪ Playin' in a travelin' band ♪ 7 00:00:28,861 --> 00:00:30,027 ♪ Yeah ♪ 8 00:00:30,028 --> 00:00:31,777 ♪ Well I'm flyin' 'Cross the land ♪ 9 00:00:31,778 --> 00:00:33,291 ♪ Tryin' to get a hand ♪ 10 00:00:33,361 --> 00:00:35,777 ♪ Playin' in A travelin' band… ♪ 11 00:00:35,778 --> 00:00:39,250 1969 had been a magical year for Creedence. 12 00:00:39,320 --> 00:00:43,527 In only 12 months, the band had achieved five top ten singles 13 00:00:43,528 --> 00:00:47,194 and three top ten albums on the American charts, 14 00:00:47,195 --> 00:00:49,277 outselling The Beatles. 15 00:00:49,278 --> 00:00:52,416 They had appeared on the legendary Ed Sullivan Show 16 00:00:52,486 --> 00:00:55,916 and played over a million people across America, 17 00:00:55,986 --> 00:00:57,875 including the hundreds of thousands 18 00:00:57,945 --> 00:00:59,500 gathered at Woodstock. 19 00:01:00,028 --> 00:01:02,152 John, Tom, Stu, and Doug 20 00:01:02,153 --> 00:01:04,125 may not have had the familiar ring to it 21 00:01:04,195 --> 00:01:06,500 of John, Paul, George, and Ringo, 22 00:01:06,570 --> 00:01:09,277 but Creedence were challenging The Beatles 23 00:01:09,278 --> 00:01:12,416 for the title of the biggest group in the world. 24 00:01:12,486 --> 00:01:13,652 This is Doug Clifford, 25 00:01:13,653 --> 00:01:15,500 who plays drums for Creedence Clearwater 26 00:01:15,570 --> 00:01:17,152 who's been there since the start, 27 00:01:17,153 --> 00:01:18,416 which was how long ago? 28 00:01:18,486 --> 00:01:19,610 Eleven years. 29 00:01:19,611 --> 00:01:21,902 Stu, have you ever run into a situation 30 00:01:21,903 --> 00:01:23,791 where you didn't like one another 31 00:01:23,861 --> 00:01:26,041 or you had a very, very bad argument? 32 00:01:26,111 --> 00:01:28,125 Yeah. We checked our equipment quite frequently. 33 00:01:29,861 --> 00:01:30,985 John Fogerty, 34 00:01:30,986 --> 00:01:32,791 you write most of the material for the group. 35 00:01:32,861 --> 00:01:34,860 What was the first gold record you had? 36 00:01:34,861 --> 00:01:36,061 "Proud Mary." 37 00:01:37,070 --> 00:01:40,291 Tom, uh, how would you characterize this music? 38 00:01:40,361 --> 00:01:41,916 Rock and roll music. 39 00:01:50,736 --> 00:01:52,833 In April 1970, 40 00:01:53,236 --> 00:01:55,375 Creedence arrived at Heathrow Airport 41 00:01:55,445 --> 00:01:58,235 to begin their first ever European tour. 42 00:01:58,236 --> 00:02:01,000 The tour would include concerts in Berlin, 43 00:02:01,070 --> 00:02:06,027 Stockholm, Rotterdam, Paris, and London. 44 00:02:06,028 --> 00:02:08,375 The band's British debut was to take place 45 00:02:08,445 --> 00:02:11,610 at the most prestigious music venue in the UK, 46 00:02:11,611 --> 00:02:14,500 London's Royal Albert Hall, 47 00:02:14,570 --> 00:02:16,527 which had previously hosted concerts 48 00:02:16,528 --> 00:02:18,152 by The Beatles, 49 00:02:18,153 --> 00:02:20,875 The Rolling Stones, Led Zeppelin, 50 00:02:20,945 --> 00:02:24,041 Cream, and Jimi Hendrix. 51 00:02:24,111 --> 00:02:26,402 For Creedence Clearwater Revival, 52 00:02:26,403 --> 00:02:28,250 the Royal Albert Hall concert 53 00:02:28,320 --> 00:02:31,777 would be a high point of their tour of Europe. 54 00:02:31,778 --> 00:02:33,000 The concert was filmed, 55 00:02:33,070 --> 00:02:36,625 but never fully released until now. 56 00:02:36,695 --> 00:02:39,500 This is also the story of how they got there. 57 00:03:02,695 --> 00:03:04,791 My impressions of Europe? 58 00:03:06,195 --> 00:03:09,000 Well, I like it. It's, uh-- it's my first time. 59 00:03:09,070 --> 00:03:12,125 And, uh, we're going through so damn fast. 60 00:03:12,195 --> 00:03:14,125 Each country is definitely each country, man. 61 00:03:14,195 --> 00:03:17,875 Like there's no, like, you know, Sweden and Denmark 62 00:03:17,945 --> 00:03:20,416 as close as they are in all their respects, 63 00:03:20,486 --> 00:03:22,000 there's really two different worlds. 64 00:03:22,070 --> 00:03:23,777 And I can see that just having been here 65 00:03:23,778 --> 00:03:25,319 just a day and a half. 66 00:03:25,320 --> 00:03:27,666 The excitement, it's just-- it's like a dream. 67 00:03:27,736 --> 00:03:29,152 I don't wanna sleep. 68 00:03:29,153 --> 00:03:31,791 Uh, because number one, I can't, I'm so excited 69 00:03:31,861 --> 00:03:33,416 and it's just like living a dream 70 00:03:33,486 --> 00:03:35,916 because I've lived in America all my life, 71 00:03:35,986 --> 00:03:37,541 and now coming over here, 72 00:03:37,611 --> 00:03:39,041 things are, you know, physically different 73 00:03:39,111 --> 00:03:41,000 and the people are, you know, mentally different. 74 00:03:41,070 --> 00:03:43,291 It's a whole fantastic experience. 75 00:03:48,320 --> 00:03:49,777 It's total excitement when you walk out on the stage, 76 00:03:49,778 --> 00:03:52,652 you're thinking that these people don't understand English. 77 00:03:52,653 --> 00:03:53,985 They don't understand the words, 78 00:03:53,986 --> 00:03:56,194 but they are communicating with you 79 00:03:56,195 --> 00:03:57,819 because they feel the music, you know? 80 00:03:57,820 --> 00:03:59,250 You're gonna give some people something 81 00:03:59,320 --> 00:04:02,666 that, uh, they've never heard before, you know? 82 00:04:02,736 --> 00:04:06,166 ♪ Hurryin' to get there So you save some time ♪ 83 00:04:06,236 --> 00:04:09,541 ♪ Run, run, run, run, run ♪ 84 00:04:09,611 --> 00:04:11,527 ♪ Rushin' to the treadmill ♪ 85 00:04:11,528 --> 00:04:13,250 ♪ Rushin' to get home ♪ 86 00:04:13,320 --> 00:04:16,000 ♪ Worry 'bout the time You save, save ♪ 87 00:04:16,070 --> 00:04:17,750 ♪ Com, commotion ♪ 88 00:04:17,820 --> 00:04:19,402 ♪ Git, git, git, gone ♪ 89 00:04:19,403 --> 00:04:21,069 ♪ Com, commotion ♪ 90 00:04:21,070 --> 00:04:22,944 ♪ Git, git, git, gone ♪ 91 00:04:22,945 --> 00:04:24,610 ♪ Com, commotion ♪ 92 00:04:24,611 --> 00:04:26,458 ♪ Git, git, git, gone ♪ 93 00:04:34,070 --> 00:04:35,541 We take great pride in the fact that 94 00:04:35,611 --> 00:04:37,652 we brought our own sound system. 95 00:04:37,653 --> 00:04:41,610 It's like, uh, starting all over again, you know? 96 00:04:41,611 --> 00:04:44,277 ♪ Well, don't go around tonight ♪ 97 00:04:44,278 --> 00:04:47,277 ♪ Well it's bound To take your life ♪ 98 00:04:47,278 --> 00:04:52,416 ♪ There's a bad moon On the rise ♪ 99 00:04:52,486 --> 00:04:54,402 ♪ Don't come around tonight ♪ 100 00:04:54,403 --> 00:04:57,541 ♪ Well it's bound To take your life ♪ 101 00:04:57,611 --> 00:05:00,791 ♪ There's a bad moon On the rise ♪ 102 00:05:08,570 --> 00:05:09,777 What I did learn on this trip 103 00:05:09,778 --> 00:05:13,152 more than any other was to go out into the city 104 00:05:13,153 --> 00:05:16,791 and give it a chance to just be itself, you know? 105 00:05:16,861 --> 00:05:18,541 Not put on a show for me, you know, 106 00:05:18,611 --> 00:05:20,000 the people we always see. 107 00:05:20,070 --> 00:05:22,625 Europe is like shades of gray compared to America 108 00:05:22,695 --> 00:05:25,027 where things are really getting polar, you know, 109 00:05:25,028 --> 00:05:28,000 uh, black and white, uh, to use an example. 110 00:05:28,070 --> 00:05:30,625 Uh, people don't-- people don't get all pissed off 111 00:05:30,695 --> 00:05:31,860 about what you look like. 112 00:05:31,861 --> 00:05:34,152 You can get a job and you can like advance, 113 00:05:34,153 --> 00:05:35,777 you know, with long hair. 114 00:05:35,778 --> 00:05:39,569 In the States, man, you could-- to get a job, 115 00:05:39,570 --> 00:05:40,694 you have to cut your hair. 116 00:05:40,695 --> 00:05:42,125 You can't even have sideburns, you know? 117 00:05:42,195 --> 00:05:44,569 Like it doesn't make a difference how many degrees you have 118 00:05:44,570 --> 00:05:46,235 or what your trip is or any of that. 119 00:05:47,903 --> 00:05:51,541 ♪ Let the Midnight Special ♪ 120 00:05:51,611 --> 00:05:53,541 ♪ Shine a light on me ♪ 121 00:05:55,528 --> 00:05:58,791 ♪ Let the Midnight Special ♪ 122 00:05:58,861 --> 00:06:02,500 ♪ Shine a light on me ♪ 123 00:06:02,570 --> 00:06:06,152 ♪ Let the Midnight Special ♪ 124 00:06:06,153 --> 00:06:08,125 ♪ Shine a light on me ♪ 125 00:06:10,111 --> 00:06:13,777 ♪ Let the Midnight Special ♪ 126 00:06:13,778 --> 00:06:17,666 ♪ shine an ever-lovin' Light on me ♪ 127 00:06:17,736 --> 00:06:21,291 ♪ Yonder come Miss Rosie ♪ 128 00:06:21,361 --> 00:06:25,069 ♪ How in the world Did you know? ♪ 129 00:06:25,070 --> 00:06:29,000 ♪ By the way She wears her apron ♪ 130 00:06:29,070 --> 00:06:31,666 ♪ And the clothes she wore… ♪ 131 00:06:35,361 --> 00:06:38,250 To the berlin wall? No, I would like to, though. 132 00:06:39,028 --> 00:06:42,652 It'd be great to-- is the wall-- is it, uh, 133 00:06:42,653 --> 00:06:45,360 is it barbed wire or is it thick? 134 00:06:45,361 --> 00:06:46,444 Not a wall. 135 00:06:46,445 --> 00:06:47,569 I was thinking about setting up there. 136 00:06:47,570 --> 00:06:48,791 You know, we could set up 137 00:06:48,861 --> 00:06:50,666 the equipment up on top of the wall-- 138 00:06:50,736 --> 00:06:52,444 Well, at certain places they have a wall. 139 00:06:52,445 --> 00:06:54,027 And aim it that direction, you know? 140 00:06:54,028 --> 00:06:55,319 We could aim it both directions. 141 00:06:55,320 --> 00:06:56,902 How about that? We'll bring everybody up on it 142 00:06:56,903 --> 00:06:59,125 and dance and maybe the wall will come down. 143 00:06:59,195 --> 00:07:01,360 Maybe they'll object, they might object. 144 00:07:01,361 --> 00:07:05,277 ♪ Let the Midnight Special ♪ 145 00:07:05,278 --> 00:07:08,875 ♪ Shine a light on me ♪ 146 00:07:08,945 --> 00:07:12,416 ♪ Let the Midnight Special ♪ 147 00:07:12,486 --> 00:07:13,569 ♪ Shine an ever-lovin'… ♪ 148 00:07:13,570 --> 00:07:15,277 Wow. Paris, France. Okay. 149 00:07:15,278 --> 00:07:16,791 We're off to Paris, then. 150 00:07:18,695 --> 00:07:19,860 Three days. 151 00:07:19,861 --> 00:07:21,416 And Germany was pretty nice. 152 00:07:22,736 --> 00:07:24,708 Lead me on. Lead me on. 153 00:07:25,736 --> 00:07:27,458 -Have a good trip. -Thank you. 154 00:07:33,320 --> 00:07:34,916 Well, number one, I'm spending my birthday there, 155 00:07:34,986 --> 00:07:36,291 so it better be good. 156 00:07:36,361 --> 00:07:37,652 Better be good. Here's to your birthday. 157 00:07:37,653 --> 00:07:39,166 Uh, thank you. Right, right. 158 00:07:39,236 --> 00:07:42,402 I just expect, um, uh… 159 00:07:42,403 --> 00:07:44,152 the American dream, I suppose. 160 00:08:01,903 --> 00:08:03,291 Have you ever eaten one? 161 00:08:03,361 --> 00:08:05,125 - Dandelion? - No. 162 00:08:05,195 --> 00:08:07,500 Pick one up, eat it. I'm serious. I'm not kidding. 163 00:08:07,570 --> 00:08:09,152 Really? 164 00:08:09,153 --> 00:08:10,875 Today is the most impressed 165 00:08:10,945 --> 00:08:13,652 I've ever been in my life with, you know, 166 00:08:13,653 --> 00:08:16,333 just what I've seen, you know? 167 00:08:16,903 --> 00:08:18,625 It's pretty much of a mindblower. 168 00:08:18,695 --> 00:08:20,791 My 25th birthday has been 169 00:08:20,861 --> 00:08:22,916 the most insignificant thing of the whole day. 170 00:08:22,986 --> 00:08:25,277 I've been to the Louvre. 171 00:08:25,278 --> 00:08:28,666 I've been to, uh, Louis XIV's, uh, 172 00:08:28,736 --> 00:08:30,402 playground as it were. 173 00:08:30,403 --> 00:08:33,791 Probably most fantastic collection of art 174 00:08:33,861 --> 00:08:37,000 I've ever seen, between that and the Louvre. 175 00:08:40,070 --> 00:08:41,750 Huh? 176 00:08:41,820 --> 00:08:44,666 Uh, I've only been in my room so far. 177 00:08:44,736 --> 00:08:46,500 It's just like the room in Berlin 178 00:08:46,570 --> 00:08:48,250 and the room in Stockholm 179 00:08:48,320 --> 00:08:49,708 and the room in… 180 00:08:52,028 --> 00:08:53,485 the water is good though. 181 00:08:53,486 --> 00:08:56,875 ♪ Love to kick my feet Way down the shallow water ♪ 182 00:08:56,945 --> 00:09:00,166 ♪ Shoo fly, dragon fly, Get back to your mother ♪ 183 00:09:00,236 --> 00:09:04,375 ♪ Pick up a flat rock, Skip it across Green River ♪ 184 00:09:07,320 --> 00:09:09,583 ♪ Well… ♪ 185 00:09:13,611 --> 00:09:14,811 Now the whole time we're in Rotterdam, 186 00:09:14,861 --> 00:09:17,708 it was like a blizzard, only it was just raining. 187 00:09:24,028 --> 00:09:26,625 What do you mean about the friendly Europeans? 188 00:09:26,695 --> 00:09:27,777 Well, like in New York, 189 00:09:27,778 --> 00:09:29,541 they would've run us down, you know? 190 00:09:36,653 --> 00:09:37,875 Me too. 191 00:09:39,778 --> 00:09:43,333 You know, I woke up around 2:00 one afternoon 192 00:09:43,945 --> 00:09:46,902 and just that's the-- when I saw you on the balcony. 193 00:09:46,903 --> 00:09:48,069 Oh, that was fantastic. 194 00:09:48,070 --> 00:09:52,152 And just, uh, you know, I was happy. Wow. 195 00:09:54,028 --> 00:09:57,375 ♪ Cleaned a lot of plates In Memphis ♪ 196 00:09:57,445 --> 00:10:01,277 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 197 00:10:01,278 --> 00:10:05,027 ♪ But I never saw The good side of the city ♪ 198 00:10:05,028 --> 00:10:08,860 ♪ 'Til I hitched a ride On a river boat queen… ♪ 199 00:10:08,861 --> 00:10:12,152 I think that to me, this tour proves that, uh, 200 00:10:12,153 --> 00:10:14,750 that rock and roll music, uh, after 15 years 201 00:10:14,820 --> 00:10:17,541 should be somebody-- somebody's taking it serious somewhere. 202 00:10:17,611 --> 00:10:21,416 I mean, it's the same-- you get the same reaction in Rotterdam 203 00:10:21,486 --> 00:10:23,527 that you get in Oakland, that you get in LA, 204 00:10:23,528 --> 00:10:25,527 that you get in Omaha, 205 00:10:25,528 --> 00:10:27,569 like there's something happening. 206 00:10:31,320 --> 00:10:33,541 The real test as to the success 207 00:10:33,611 --> 00:10:34,875 of their European tour 208 00:10:35,320 --> 00:10:37,235 would be measured by the reception 209 00:10:37,236 --> 00:10:40,166 they would receive at London's Royal Albert Hall. 210 00:10:41,820 --> 00:10:44,777 The journey that led to this landmark concert 211 00:10:44,778 --> 00:10:48,652 began 13 years earlier in El Cerrito, California 212 00:10:48,653 --> 00:10:50,791 near San Francisco. 213 00:10:50,861 --> 00:10:52,527 It all happened one day. 214 00:10:52,528 --> 00:10:54,500 The first day in junior high school, 215 00:10:54,570 --> 00:10:56,777 there was this guy sitting in the back of the class, 216 00:10:56,778 --> 00:10:58,875 just screwing around. 217 00:10:58,945 --> 00:11:00,375 And, uh, all the seats were taken 218 00:11:00,445 --> 00:11:02,277 except the ones next to him. 219 00:11:02,278 --> 00:11:03,791 So I just fell down and sat next to him, 220 00:11:03,861 --> 00:11:05,291 it turned out to be Doug. 221 00:11:05,361 --> 00:11:06,944 Hello there. 222 00:11:06,945 --> 00:11:08,527 Like we were good friends for a couple years 223 00:11:08,528 --> 00:11:11,277 before we even, you know, got into a music thing at all. 224 00:11:11,278 --> 00:11:14,291 Then John… 225 00:11:14,361 --> 00:11:17,569 John was tinkling on the piano, then in the music room 226 00:11:17,570 --> 00:11:20,402 to like audition people who are interested. 227 00:11:20,403 --> 00:11:22,625 Yeah. We started out as a-- like a-- 228 00:11:22,695 --> 00:11:25,944 as a trio with piano, drums, and guitar. 229 00:11:25,945 --> 00:11:27,027 You have to understand, 230 00:11:27,028 --> 00:11:29,027 like we were the only band in the school. 231 00:11:29,028 --> 00:11:31,416 It wasn't like how it was after The Beatles 232 00:11:31,486 --> 00:11:33,902 when it seemed like every school had 50 bands, 233 00:11:33,903 --> 00:11:36,041 we were the band of the school. 234 00:11:38,403 --> 00:11:39,750 The instrumental trio, 235 00:11:39,820 --> 00:11:43,041 John Fogerty, Stu Cook, and Doug Clifford 236 00:11:43,111 --> 00:11:46,652 initially went under the name, The Blue Velvets. 237 00:11:46,653 --> 00:11:49,416 They became a four piece when John's older brother, 238 00:11:49,486 --> 00:11:53,000 Tom joined on vocals under the name, 239 00:11:53,070 --> 00:11:55,375 Tommy Fogerty and The Blue Velvets, 240 00:11:55,445 --> 00:11:57,416 they released a handful of singles 241 00:11:57,486 --> 00:11:59,000 that helped build their reputation 242 00:11:59,070 --> 00:12:00,833 around the Bay Area. 243 00:12:02,320 --> 00:12:06,166 Then during February of 1964, 244 00:12:06,236 --> 00:12:08,166 their world was shaken by a hurricane 245 00:12:08,236 --> 00:12:11,402 that had blown in from across the Atlantic. 246 00:12:11,403 --> 00:12:13,152 ♪ Well, shake it up, baby ♪ 247 00:12:13,153 --> 00:12:15,166 ♪ Now, shake it up, baby ♪ 248 00:12:15,236 --> 00:12:17,041 ♪ Twist and shout ♪ 249 00:12:17,111 --> 00:12:19,777 ♪ Twist and shout… ♪ 250 00:12:19,778 --> 00:12:22,875 So in '64, we'd already been together five years. 251 00:12:22,945 --> 00:12:24,985 And our listening experience, the kind of stuff we were into 252 00:12:24,986 --> 00:12:27,666 was pretty much similar to The Beatles. 253 00:12:27,736 --> 00:12:29,444 And when The Beatles hit, we said, wow, you know, 254 00:12:29,445 --> 00:12:30,527 the door is wide open again, 255 00:12:30,528 --> 00:12:32,041 'cause The Beatles really just changed 256 00:12:32,111 --> 00:12:34,194 the whole thing for all musicians. 257 00:12:35,820 --> 00:12:37,916 The month after The Beatles heralded 258 00:12:37,986 --> 00:12:40,500 the start of the so-called British invasion, 259 00:12:40,570 --> 00:12:45,666 San Francisco's Channel 9 broadcast Anatomy of a Hit, 260 00:12:45,736 --> 00:12:47,902 a television program that told the story 261 00:12:47,903 --> 00:12:50,000 of "Cast Your Fate to the Wind" 262 00:12:50,070 --> 00:12:52,750 by jazz artist, Vince Guaraldi. 263 00:12:52,820 --> 00:12:55,500 This single had been a hit for Fantasy, 264 00:12:55,570 --> 00:12:58,527 the San Francisco based record label. 265 00:12:58,528 --> 00:13:00,375 Having watched the documentary, 266 00:13:00,445 --> 00:13:03,194 John and Tom Fogerty crossed the Bay Bridge 267 00:13:03,195 --> 00:13:06,027 and played their songs to Max Weiss, 268 00:13:06,028 --> 00:13:09,777 Fantasy's co-founder and resident hipster. 269 00:13:09,778 --> 00:13:13,777 I have perfect pitch and natural rhythm. 270 00:13:13,778 --> 00:13:15,875 And just by one listening 271 00:13:15,945 --> 00:13:18,541 of just a, maybe four or five bars, 272 00:13:18,611 --> 00:13:21,125 usually five bars, uh, 273 00:13:21,195 --> 00:13:24,194 I can spot whether a record's gonna make it or not. 274 00:13:25,445 --> 00:13:27,000 Impressed by what he heard 275 00:13:27,070 --> 00:13:30,360 and no doubt aware of the tremendous success of The Beatles 276 00:13:30,361 --> 00:13:32,819 in the growing beat group phenomenon, 277 00:13:32,820 --> 00:13:35,083 Weiss signed the group to Fantasy. 278 00:13:36,486 --> 00:13:39,402 Wanting the band's name to sound more British, 279 00:13:39,403 --> 00:13:41,541 the label opted for a new one 280 00:13:41,611 --> 00:13:46,291 unaware of its offensive racial connotations. 281 00:13:46,361 --> 00:13:48,000 Thought it sounded British, 282 00:13:48,070 --> 00:13:50,000 Beatle-ly and all the rest, 283 00:13:50,070 --> 00:13:51,291 and that was the reason 284 00:13:51,361 --> 00:13:54,777 trying to emulate the English thing. 285 00:13:54,778 --> 00:13:56,166 As their sound evolved, 286 00:13:56,236 --> 00:13:59,416 Stu Cook switched from piano to bass, 287 00:13:59,486 --> 00:14:02,027 Tommy Fogerty to rhythm guitar, 288 00:14:02,028 --> 00:14:05,666 and John Fogerty assumed the role of lead vocalist. 289 00:14:05,736 --> 00:14:08,152 And by late 1966, 290 00:14:08,153 --> 00:14:10,152 it was beginning to look like the group 291 00:14:10,153 --> 00:14:12,000 was on the verge of a breakthrough. 292 00:14:12,070 --> 00:14:15,041 ♪ I got me A brown eyed girl ♪ 293 00:14:15,111 --> 00:14:16,235 ♪ Yeah ♪ 294 00:14:16,236 --> 00:14:19,250 -♪ Brown eyed girl ♪ -♪ Yeah ♪ 295 00:14:19,320 --> 00:14:21,875 But with the escalation of the Vietnam War 296 00:14:21,945 --> 00:14:23,625 and the shadow of the draft 297 00:14:23,695 --> 00:14:26,235 hanging over young men across the States, 298 00:14:26,236 --> 00:14:29,194 the group's progress was brought to a halt. 299 00:14:29,195 --> 00:14:32,402 John Fogerty enlisted in the army reserve 300 00:14:32,403 --> 00:14:35,375 and Doug Clifford served in the coast guard. 301 00:14:35,445 --> 00:14:36,916 During this period, 302 00:14:36,986 --> 00:14:40,360 the musical spotlight had shifted to San Francisco, 303 00:14:40,361 --> 00:14:44,166 in what would soon explode into the Summer of Love. 304 00:14:44,236 --> 00:14:45,902 It exploded while I was gone, 305 00:14:45,903 --> 00:14:47,777 San Francisco just broke wide open 306 00:14:47,778 --> 00:14:50,458 and everybody was talking about it and I was away. 307 00:14:50,861 --> 00:14:53,152 I like Country Joe and the Fish. 308 00:14:53,153 --> 00:14:57,277 And the Jefferson Airplane, Quicksilver Messenger Service. 309 00:14:57,278 --> 00:14:58,610 Well, like, uh, the local groups 310 00:14:58,611 --> 00:14:59,735 that have been playing around here, 311 00:14:59,736 --> 00:15:00,819 I've been seeing 'em for a long time 312 00:15:00,820 --> 00:15:02,277 and, uh, they're really making it, 313 00:15:02,278 --> 00:15:03,750 they're doing a real good thing, man. 314 00:15:04,570 --> 00:15:07,916 I got out of the army in, uh, '67 315 00:15:07,986 --> 00:15:10,791 and we sort of resolved to really go for it. 316 00:15:10,861 --> 00:15:13,277 To either we were-- we were really gonna commit ourselves 317 00:15:13,278 --> 00:15:15,958 and everything we had or else we weren't gonna make it. 318 00:15:16,653 --> 00:15:18,416 A major turning point 319 00:15:18,486 --> 00:15:21,152 was the release of their single Porterville. 320 00:15:21,153 --> 00:15:24,027 It didn't just sound like the work of a different group, 321 00:15:24,028 --> 00:15:25,985 it pointed the way forward. 322 00:15:25,986 --> 00:15:28,000 ♪ It's been an awful long time ♪ 323 00:15:28,070 --> 00:15:30,416 ♪ Since I been home ♪ 324 00:15:30,486 --> 00:15:34,916 ♪ But you won't catch me Goin' back down there alone ♪ 325 00:15:34,986 --> 00:15:37,277 ♪ Things they said When I was young ♪ 326 00:15:37,278 --> 00:15:41,166 ♪ Are quite enough To get me hung ♪ 327 00:15:41,236 --> 00:15:44,152 "Porterville" showed John Fogerty's determination 328 00:15:44,153 --> 00:15:46,902 and growing confidence as a songwriter. 329 00:15:46,903 --> 00:15:48,750 And it was around this time 330 00:15:48,820 --> 00:15:51,152 that they were able to rid themselves of the name 331 00:15:51,153 --> 00:15:54,666 that had been originally suggested by the record label. 332 00:15:55,861 --> 00:15:59,777 They became Creedence Clearwater Revival. 333 00:15:59,778 --> 00:16:01,000 We've been together all this time 334 00:16:01,070 --> 00:16:03,277 and nothing was happening with the group. 335 00:16:03,278 --> 00:16:04,791 So we decided we wanted 336 00:16:04,861 --> 00:16:08,152 to have a little revival among ourselves. 337 00:16:08,153 --> 00:16:09,902 That's what that part meant. 338 00:16:09,903 --> 00:16:13,000 It's just let's get back to the basics, you know. 339 00:16:13,070 --> 00:16:16,902 Let's get back to where we were 10 years ago. 340 00:16:16,903 --> 00:16:20,360 When "Porterville" failed to make an impact on the charts, 341 00:16:20,361 --> 00:16:22,277 Creedence resorted to a formula 342 00:16:22,278 --> 00:16:25,527 that had provided many groups with breakthrough hits. 343 00:16:25,528 --> 00:16:27,902 They've recorded a cover version. 344 00:16:27,903 --> 00:16:30,652 The band decided on "Susie Q," 345 00:16:30,653 --> 00:16:34,625 a song that had been a hit for Dale Hawkins back in 1958. 346 00:16:34,695 --> 00:16:37,041 ♪ Oh, Susie Q ♪ 347 00:16:38,528 --> 00:16:39,777 At first, it was just a demo tape 348 00:16:39,778 --> 00:16:42,166 that we took to a local FM station, 349 00:16:42,236 --> 00:16:44,250 and they started playing it a lot 350 00:16:44,570 --> 00:16:46,902 like four, five times a day, 351 00:16:46,903 --> 00:16:50,416 in exactly the same form that it appears on the record. 352 00:16:51,861 --> 00:16:53,527 The excitement of actually 353 00:16:53,528 --> 00:16:56,944 really hearing your song on KYA, uh, 354 00:16:56,945 --> 00:16:59,916 after years and years, some nine and a half years, of trying, 355 00:17:00,320 --> 00:17:02,791 it took-- it took us pretty much by surprise when it happened, 356 00:17:02,861 --> 00:17:04,527 because it just took off. 357 00:17:04,528 --> 00:17:06,777 And wisely, the man at the record company 358 00:17:06,778 --> 00:17:09,541 finally saw, "Oh, well, these guys are getting popular. 359 00:17:09,611 --> 00:17:11,458 Maybe they should make an album." 360 00:17:12,778 --> 00:17:16,527 So, um, we got to go in and with, um, 361 00:17:16,528 --> 00:17:19,777 something like seven or eight hours of studio time, 362 00:17:19,778 --> 00:17:21,416 uh, we made the first album. 363 00:17:21,486 --> 00:17:24,527 The budget was like less than $2,000. 364 00:17:27,653 --> 00:17:30,875 First album was released and we came to San Francisco 365 00:17:30,945 --> 00:17:32,291 and we started playing there 366 00:17:32,361 --> 00:17:34,250 and it's like it just fell together real fast, 367 00:17:34,320 --> 00:17:36,291 but we've been working on it for about nine years, 368 00:17:36,361 --> 00:17:38,000 you know, getting ourselves together 369 00:17:38,070 --> 00:17:40,027 so that when we-- when we had it together, 370 00:17:40,028 --> 00:17:42,416 like, all we needed was an audience. 371 00:17:42,486 --> 00:17:46,110 Having broken on to the San Francisco ballroom circuit 372 00:17:46,111 --> 00:17:49,777 and with their album hovering just outside the top 50, 373 00:17:49,778 --> 00:17:52,277 they were hoping to take things to the next level 374 00:17:52,278 --> 00:17:55,416 with another cover of an RandB classic. 375 00:17:56,028 --> 00:17:58,875 ♪ I put a spell on you ♪ 376 00:18:02,236 --> 00:18:05,916 ♪ Because you're mine ♪ 377 00:18:10,445 --> 00:18:14,083 ♪ You better stop the thing That you're doin' ♪ 378 00:18:16,028 --> 00:18:20,041 ♪ I said watch out, I ain't lyin' ♪ 379 00:18:20,111 --> 00:18:24,041 Screamin' Jay Hawkins did "I Put a Spell on You." 380 00:18:24,111 --> 00:18:27,625 And that's another great old RandB song that I loved. 381 00:18:27,695 --> 00:18:29,402 It happened to fit my vocal style. 382 00:18:29,403 --> 00:18:32,541 I could-- I could sing that well and that was the reason, uh, 383 00:18:32,611 --> 00:18:35,166 we decided to do that particular song. 384 00:18:38,278 --> 00:18:39,777 It's kind of hard for me to talk about John 385 00:18:39,778 --> 00:18:42,250 and be unbiased, you know, 386 00:18:42,320 --> 00:18:46,416 because, uh, we're in the same band together, 387 00:18:46,486 --> 00:18:49,875 but I think that he had one of the most unique voices. 388 00:18:49,945 --> 00:18:52,319 I think it's right up there with Ray Charles and Van Morrison, 389 00:18:52,320 --> 00:18:54,708 you know, it's a voice that's distinct. 390 00:18:55,986 --> 00:18:58,000 Despite showcasing his development 391 00:18:58,070 --> 00:19:01,500 into one of the era's most recognizable voices 392 00:19:01,570 --> 00:19:04,875 with a style rooted deep in the blues and RandB, 393 00:19:04,945 --> 00:19:08,375 the record failed to reach the top 50. 394 00:19:08,445 --> 00:19:10,916 John Fogerty had said that he wanted Creedence 395 00:19:10,986 --> 00:19:15,402 to make something for the ages, to be great like The Beatles. 396 00:19:15,403 --> 00:19:18,402 On the day that he received his honorable discharge papers 397 00:19:18,403 --> 00:19:19,875 from the army, 398 00:19:19,945 --> 00:19:23,250 he wrote his first genuine classic. 399 00:19:23,445 --> 00:19:27,235 ♪ Left a good job In the city ♪ 400 00:19:27,236 --> 00:19:31,402 ♪ Workin' for the man Ev'ry night and day ♪ 401 00:19:31,403 --> 00:19:35,375 ♪ And I never lost One minute of sleepin' ♪ 402 00:19:35,445 --> 00:19:39,500 ♪ Worryin' 'bout the way Things might have been ♪ 403 00:19:39,570 --> 00:19:43,125 ♪ Big wheel keep on turnin' ♪ 404 00:19:43,195 --> 00:19:47,152 ♪ Proud Mary keep on burnin' ♪ 405 00:19:47,153 --> 00:19:50,375 "Proud Mary" reached number two on the US charts, 406 00:19:50,445 --> 00:19:52,625 and five years after watching The Beatles 407 00:19:52,695 --> 00:19:55,375 make their debut on American TV, 408 00:19:55,445 --> 00:19:57,235 they too appeared on The Ed Sullivan Show. 409 00:19:57,236 --> 00:20:00,041 ♪ Rollin' on the river ♪ 410 00:20:01,403 --> 00:20:05,402 ♪ Cleaned a lot of plates In Memphis ♪ 411 00:20:05,403 --> 00:20:09,500 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 412 00:20:09,570 --> 00:20:13,541 ♪ But I never saw The good side of the city ♪ 413 00:20:13,611 --> 00:20:17,527 ♪ 'Til I hitched a ride On a river boat queen ♪ 414 00:20:17,528 --> 00:20:21,250 ♪ Big wheel keep on turnin' ♪ 415 00:20:21,320 --> 00:20:25,152 ♪ Proud Mary keep on burnin' ♪ 416 00:20:25,153 --> 00:20:29,041 ♪ Rollin', rollin' ♪ 417 00:20:29,111 --> 00:20:31,541 ♪ Rollin' on the river ♪ 418 00:20:34,278 --> 00:20:36,625 You know, like "Proud Mary" I'm really happy about that, 419 00:20:36,695 --> 00:20:39,291 that it came off as well as it did. 420 00:20:39,361 --> 00:20:41,652 The way I write is a very loose thing. 421 00:20:41,653 --> 00:20:44,166 All I'm trying to do really is put down what I see, 422 00:20:44,236 --> 00:20:45,916 you know, the way I see it. 423 00:20:45,986 --> 00:20:48,500 Get something out of just hearing the notes and the rhythm. 424 00:20:49,111 --> 00:20:52,541 But if the words can convey the same meaning, 425 00:20:52,611 --> 00:20:54,860 it's like icing on the cake then, you know, 426 00:20:54,861 --> 00:20:57,000 because I try and match the music with the words. 427 00:20:57,070 --> 00:21:00,541 It was during that time that I completed, uh, 428 00:21:00,611 --> 00:21:03,777 all the stuff on Bayou Country 429 00:21:03,778 --> 00:21:06,500 and, uh, some of other songs, too. 430 00:21:06,570 --> 00:21:09,750 In other words, that didn't really reflect-- 431 00:21:09,820 --> 00:21:12,291 the songs didn't reflect my mood at the time, you know, 432 00:21:12,695 --> 00:21:15,402 I just switched off and went into something else. 433 00:21:15,403 --> 00:21:17,666 If "Proud Mary" was about a riverboat 434 00:21:17,736 --> 00:21:19,541 rolling up the Mississippi, 435 00:21:19,611 --> 00:21:22,152 "Born on the Bayou" took you on a journey 436 00:21:22,153 --> 00:21:24,110 through the swamplands that stretched 437 00:21:24,111 --> 00:21:27,569 from New Orleans into rural Louisiana. 438 00:21:27,570 --> 00:21:30,875 ♪ When I was just a little boy ♪ 439 00:21:32,028 --> 00:21:34,875 ♪ Standin' to My daddy's knee… ♪ 440 00:21:34,945 --> 00:21:36,527 At the time of the release 441 00:21:36,528 --> 00:21:38,902 of their second album, Bayou Country, 442 00:21:38,903 --> 00:21:40,902 none of the band members had yet set foot 443 00:21:40,903 --> 00:21:42,777 in the part of the American South 444 00:21:42,778 --> 00:21:45,902 that was so vividly captured in their songs, 445 00:21:45,903 --> 00:21:47,916 a great achievement for a songwriter 446 00:21:47,986 --> 00:21:52,625 whose roots lay 2000 miles away in Northern California. 447 00:21:52,695 --> 00:21:56,875 ♪ And I can remember The Fourth of July ♪ 448 00:21:56,945 --> 00:22:01,027 ♪ Runnin' through The backwood bay ♪ 449 00:22:01,028 --> 00:22:05,194 ♪ I can still hear My old hound dog barkin' ♪ 450 00:22:05,195 --> 00:22:09,000 ♪ Chasin' down a hoodoo there ♪ 451 00:22:09,070 --> 00:22:12,125 ♪ Chasin' down a hoodoo there ♪ 452 00:22:13,153 --> 00:22:15,610 I, like, haven't lived there, uh, 453 00:22:15,611 --> 00:22:17,777 you know, in the south, 454 00:22:17,778 --> 00:22:21,027 it was purely that was all in my head really, 455 00:22:21,028 --> 00:22:23,875 like, that was where I wanted to go. 456 00:22:23,945 --> 00:22:25,916 And all the things I had heard before 457 00:22:25,986 --> 00:22:27,416 that I dug were from there. 458 00:22:27,486 --> 00:22:29,777 And it was like, I wanted to be like that, you know? 459 00:22:40,945 --> 00:22:42,902 Creedence never bought into the idea 460 00:22:42,903 --> 00:22:45,777 of turning on, tuning in, and dropping out. 461 00:22:45,778 --> 00:22:48,750 For them, it was always about the work. 462 00:22:48,820 --> 00:22:50,500 And to reflect their identification 463 00:22:50,570 --> 00:22:52,125 with the working man, 464 00:22:52,195 --> 00:22:53,916 they called their rehearsal place 465 00:22:53,986 --> 00:22:55,333 The Factory. 466 00:22:56,903 --> 00:22:59,166 Now, we come down here every day, 467 00:22:59,236 --> 00:23:02,250 we rehearse, talk about music or what's happening, 468 00:23:02,320 --> 00:23:05,458 you know, with other groups or other records. 469 00:23:07,278 --> 00:23:09,125 As well as writing the songs, 470 00:23:09,195 --> 00:23:12,402 John Fogerty was also producing the records. 471 00:23:12,403 --> 00:23:15,527 The Factory was where the songs took shape. 472 00:23:15,528 --> 00:23:18,416 As they saw it, simplicity was best 473 00:23:18,486 --> 00:23:20,916 and less was usually more. 474 00:23:20,986 --> 00:23:22,375 Like, when we make a record, I don't-- 475 00:23:22,445 --> 00:23:23,750 I don't maybe listen to the-- 476 00:23:23,820 --> 00:23:25,541 really listen and get into the words, 477 00:23:25,611 --> 00:23:28,485 until maybe a month after we're finished, you know. 478 00:23:28,486 --> 00:23:31,027 Like, I don't sit down and take it all apart, 479 00:23:31,028 --> 00:23:33,166 you know, I just, uh, 480 00:23:33,236 --> 00:23:35,541 you know, one line or one word does it for me. 481 00:23:35,611 --> 00:23:40,000 ♪ I see the bad moon a-risin' ♪ 482 00:23:41,111 --> 00:23:44,583 ♪ I see trouble on the way ♪ 483 00:23:46,445 --> 00:23:50,041 ♪ I see earthquakes And lightnin' ♪ 484 00:23:51,361 --> 00:23:54,000 Three months after releasing "Proud Mary," 485 00:23:54,070 --> 00:23:55,916 Creedence were back on the charts 486 00:23:55,986 --> 00:23:57,902 with "Bad Moon Rising." 487 00:23:57,903 --> 00:23:59,791 This song would also give them 488 00:23:59,861 --> 00:24:02,402 their first UK number one. 489 00:24:02,403 --> 00:24:05,958 ♪ There's a bad moon On the rise ♪ 490 00:24:11,695 --> 00:24:14,375 Yes, but just not fast enough. 491 00:24:15,903 --> 00:24:17,208 Um… 492 00:24:20,236 --> 00:24:22,277 Yeah. There's really no other way to say it, you know. 493 00:24:22,278 --> 00:24:25,694 I would dig it if we all woke up tomorrow morning 494 00:24:25,695 --> 00:24:29,000 and we're just superb musicians, you know, who could play anything, 495 00:24:29,070 --> 00:24:31,152 but it never works out that way. 496 00:24:35,111 --> 00:24:37,291 By mid-1969, 497 00:24:37,361 --> 00:24:40,166 Creedence was arguably the second biggest band 498 00:24:40,236 --> 00:24:42,750 in the world behind The Beatles. 499 00:24:42,820 --> 00:24:45,625 And that summer featured among the headlining acts 500 00:24:45,695 --> 00:24:47,777 at the Denver, Newport, 501 00:24:47,778 --> 00:24:49,875 and Atlanta music festivals. 502 00:24:49,945 --> 00:24:52,027 ♪ I went down to the station ♪ 503 00:24:52,028 --> 00:24:55,402 ♪ Just to take a ride ♪ 504 00:24:55,403 --> 00:24:57,527 They were also approached to perform 505 00:24:57,528 --> 00:25:00,152 at the upcoming Woodstock Festival. 506 00:25:00,153 --> 00:25:01,777 Creedence was one of the first, 507 00:25:01,778 --> 00:25:04,819 if not the first major act to sign. 508 00:25:04,820 --> 00:25:07,791 You know, they used us to entice other artists 509 00:25:07,861 --> 00:25:09,916 of our generation to get onboard. 510 00:25:09,986 --> 00:25:12,791 We were signed to headline Saturday night. 511 00:25:12,861 --> 00:25:15,958 The day before their scheduled appearance at Woodstock, 512 00:25:16,236 --> 00:25:18,944 they were in a Los Angeles television studio 513 00:25:18,945 --> 00:25:21,277 recording a performance of "Green River" 514 00:25:21,278 --> 00:25:23,125 on The Andy Williams Show, 515 00:25:23,195 --> 00:25:25,166 a showbiz institution, 516 00:25:25,236 --> 00:25:27,666 a world away from outdoor festivals 517 00:25:27,736 --> 00:25:29,652 and the counterculture. 518 00:25:29,653 --> 00:25:32,625 ♪ Well, take me back down ♪ 519 00:25:32,695 --> 00:25:35,250 ♪ Where cool water flows, y'all ♪ 520 00:25:37,903 --> 00:25:41,500 ♪ Oh, let me remember Things I love ♪ 521 00:25:44,903 --> 00:25:48,250 ♪ Stoppin' at the log Where catfish bite ♪ 522 00:25:48,320 --> 00:25:51,750 ♪ Walkin' along The river road at night ♪ 523 00:25:51,820 --> 00:25:55,360 ♪ Barefoot girls Dancin' in the moonlight ♪ 524 00:25:55,361 --> 00:25:57,875 The song is, uh, like, uh, 525 00:25:57,945 --> 00:26:00,027 just a little segment of John's child-- 526 00:26:00,028 --> 00:26:02,291 John and Tom's childhood, 527 00:26:02,361 --> 00:26:04,750 uh, when their father used to take 'em up 528 00:26:04,820 --> 00:26:07,277 to the, uh, Cody's camp. 529 00:26:07,278 --> 00:26:09,500 I mean, it's, uh, part of the lyric. 530 00:26:09,570 --> 00:26:11,291 The place isn't there anymore. 531 00:26:11,361 --> 00:26:13,791 Like progress, they built a dam, 532 00:26:13,861 --> 00:26:16,166 flooded the-- you know, backed the river up 533 00:26:16,236 --> 00:26:17,527 and flooded out the whole place. 534 00:26:17,528 --> 00:26:18,902 I think that, you know, the camp, 535 00:26:18,903 --> 00:26:21,708 everything's gone except the song. 536 00:26:23,611 --> 00:26:25,791 I like the place that that song 537 00:26:25,861 --> 00:26:27,527 is supposed to be coming from. 538 00:26:27,528 --> 00:26:29,277 "Green River," I always thought, was like 539 00:26:29,278 --> 00:26:32,125 the heart and soul of what Creedence is. 540 00:26:32,195 --> 00:26:35,416 Uh, musically and also just kind of what it's talking about. 541 00:26:36,945 --> 00:26:39,416 Having honored their television commitments, 542 00:26:39,486 --> 00:26:41,791 they then traveled to Upstate New York 543 00:26:41,861 --> 00:26:44,291 to take part in what would turn out to be 544 00:26:44,361 --> 00:26:47,833 the most historic music festival of all time, 545 00:26:50,111 --> 00:26:51,527 Woodstock. 546 00:27:03,195 --> 00:27:05,152 We're just overwhelmed by, uh, 547 00:27:05,153 --> 00:27:07,777 the enormity of-- but we had no idea 548 00:27:07,778 --> 00:27:09,860 of what to expect. 549 00:27:09,861 --> 00:27:12,277 And the weather and technical problems 550 00:27:12,278 --> 00:27:14,291 pushed the show later and later. 551 00:27:14,361 --> 00:27:16,208 We finally got on about 3:00 in the morning. 552 00:27:32,861 --> 00:27:35,166 ♪ I put a spell on you ♪ 553 00:27:38,486 --> 00:27:41,500 ♪ Because you're mine ♪ 554 00:27:45,528 --> 00:27:48,916 ♪ You better stop the thing That you're doin' ♪ 555 00:27:50,445 --> 00:27:54,416 ♪ I said, watch out, I ain't lyin' ♪ 556 00:27:55,653 --> 00:27:57,250 We didn't consciously go out of our way 557 00:27:57,320 --> 00:27:59,500 to try to sound like a Black band. 558 00:27:59,570 --> 00:28:01,166 You know, there was parts of country 559 00:28:01,236 --> 00:28:02,777 and it's just that… 560 00:28:02,778 --> 00:28:05,125 that was really that we liked Black music 561 00:28:05,195 --> 00:28:06,875 better than the kind of white music 562 00:28:06,945 --> 00:28:08,694 that was being presented to us at the time, 563 00:28:08,695 --> 00:28:11,166 but, um, our early heroes were definitely Black, 564 00:28:11,236 --> 00:28:14,444 so I think it kind of maybe just unconsciously came together. 565 00:28:16,070 --> 00:28:19,027 -♪ You know, the night-time ♪ -♪ Night and day ♪ 566 00:28:19,028 --> 00:28:23,277 -♪ Oh, is the right time ♪ -♪ Night and day ♪ 567 00:28:23,278 --> 00:28:25,777 -♪ To be ♪ -♪ Night and day ♪ 568 00:28:25,778 --> 00:28:27,777 ♪ With the one you love, Oh, oh ♪ 569 00:28:27,778 --> 00:28:29,069 ♪ Night and day ♪ 570 00:28:29,070 --> 00:28:31,152 -♪ I said the night-time ♪ -♪ Night and day ♪ 571 00:28:31,153 --> 00:28:32,777 "Night Time Is the Right Time" 572 00:28:32,778 --> 00:28:35,291 was originally recorded by Ray Charles 573 00:28:35,361 --> 00:28:37,250 and would feature on Creedence's 574 00:28:37,320 --> 00:28:41,125 first number one album in America, Green River. 575 00:28:41,486 --> 00:28:43,027 I've heard it and I've experienced it, 576 00:28:43,028 --> 00:28:44,416 and it's real. 577 00:28:44,486 --> 00:28:46,416 And in fact, it's played on the Black station. 578 00:28:46,486 --> 00:28:48,291 It's being played on the Black station, 579 00:28:48,361 --> 00:28:51,902 and like the deejay there was really pushing the record 580 00:28:51,903 --> 00:28:54,041 and the people were digging. My old lady and myself, 581 00:28:54,111 --> 00:28:55,625 we were thinking of coming to work the other morning 582 00:28:55,695 --> 00:28:57,166 and I said, "Hey, wait a minute, you know, 583 00:28:57,236 --> 00:28:58,902 like those cats are for real." 584 00:28:58,903 --> 00:29:00,500 So, like, it doesn't matter, you know, 585 00:29:00,570 --> 00:29:02,277 whether they're a white group or not, like, 586 00:29:02,278 --> 00:29:04,125 they're really coming from within. 587 00:29:04,195 --> 00:29:05,902 You dig it. And when you come from within, 588 00:29:05,903 --> 00:29:07,916 you got to be for real no matter what you are. 589 00:29:07,986 --> 00:29:09,375 - Yeah. - Yeah. 590 00:29:10,320 --> 00:29:12,569 Green River occupied the top spot 591 00:29:12,570 --> 00:29:14,791 for three weeks before being replaced 592 00:29:14,861 --> 00:29:16,944 by The Beatles' Abbey Road. 593 00:29:16,945 --> 00:29:19,500 While the record was still on the charts, 594 00:29:19,570 --> 00:29:21,402 Creedence were back in the studio 595 00:29:21,403 --> 00:29:23,319 recording what would be their third album 596 00:29:23,320 --> 00:29:26,319 in less than a year, Willy and the Poor Boys. 597 00:29:27,403 --> 00:29:30,500 ♪ Down on the corner, out in the street ♪ 598 00:29:30,570 --> 00:29:33,027 ♪ Willy and the Poor Boys Are playin' ♪ 599 00:29:33,028 --> 00:29:35,777 ♪ Bring a nickel, tap your feet ♪ 600 00:29:35,778 --> 00:29:37,791 ♪ Rooster hits the washboard ♪ 601 00:29:37,861 --> 00:29:39,916 ♪ And people just got to smile ♪ 602 00:29:39,986 --> 00:29:41,527 What set Creedence apart 603 00:29:41,528 --> 00:29:43,375 from many of their contemporaries, 604 00:29:43,445 --> 00:29:46,375 was their ability to produce the sound of their records, 605 00:29:46,445 --> 00:29:48,916 on stage and the primal excitement 606 00:29:48,986 --> 00:29:50,791 and joy of their concerts, 607 00:29:50,861 --> 00:29:53,527 which came from their love of live performance. 608 00:29:53,528 --> 00:29:57,125 ♪ Down on the corner, out in the street ♪ 609 00:29:57,195 --> 00:29:59,152 ♪ Willy and the Poor Boys Are playin' ♪ 610 00:29:59,153 --> 00:30:01,416 ♪ Bring a nickel, tap your feet ♪ 611 00:30:07,528 --> 00:30:10,041 It has an elating effect on you. It makes you feel good. 612 00:30:10,111 --> 00:30:12,541 Therefore, you-- like, "I love music. 613 00:30:12,611 --> 00:30:14,416 I consider it a good thing. 614 00:30:14,486 --> 00:30:15,875 I don't love it because I think it's good. 615 00:30:15,945 --> 00:30:17,485 I just-- I just love it." 616 00:30:17,486 --> 00:30:21,000 Like it's the fear of, like, blowing it 617 00:30:21,070 --> 00:30:23,902 and the excitement of being able to do it at the same time. 618 00:30:23,903 --> 00:30:26,000 If we're all working together, boom. 619 00:30:26,070 --> 00:30:29,777 You know, it's just fabulous and everybody's turned on. 620 00:30:29,778 --> 00:30:32,375 If you do turn them on, you really feel rewarded. 621 00:30:32,445 --> 00:30:34,277 And that's really the reward. 622 00:30:34,278 --> 00:30:36,777 That's the only reward that counts, I think. 623 00:30:36,778 --> 00:30:38,666 ♪ Just to hang around ♪ 624 00:30:38,736 --> 00:30:40,819 ♪ But if you've got a nickel… ♪ 625 00:30:40,820 --> 00:30:43,041 Besides people looking for your music, 626 00:30:43,111 --> 00:30:44,777 they also-- well, 627 00:30:44,778 --> 00:30:48,527 they wanna know what you think, they wanna know what you wear, 628 00:30:48,528 --> 00:30:50,166 and, you know, what movies you like, 629 00:30:50,236 --> 00:30:51,791 and do you eat spaghetti for breakfast 630 00:30:51,861 --> 00:30:53,416 and junk like that. 631 00:30:53,486 --> 00:30:56,041 And they also wanna know how you accept 632 00:30:56,111 --> 00:30:58,777 the world you live in. Do you accept it, really? 633 00:30:58,778 --> 00:31:01,291 John, he's got an expression 634 00:31:01,361 --> 00:31:03,902 that you can-- you can-- 635 00:31:03,903 --> 00:31:06,277 You can tell how a person is 636 00:31:06,278 --> 00:31:08,152 by, you know, looking in his eyes 637 00:31:08,153 --> 00:31:11,152 and just how far behind his eyes his brain is, 638 00:31:11,153 --> 00:31:12,777 is where he's at. 639 00:31:12,778 --> 00:31:14,902 You know, if his brain is right up there, 640 00:31:14,903 --> 00:31:17,375 you know, if his head's right up there behind his eyes 641 00:31:17,445 --> 00:31:20,277 and he's-- you know, John will talk to him. 642 00:31:20,278 --> 00:31:22,666 We go around talking about how we're communicating 643 00:31:22,736 --> 00:31:24,375 but no one ever does. 644 00:31:24,445 --> 00:31:28,902 It's like you look right into a guy's eyeballs and you're staring. 645 00:31:28,903 --> 00:31:33,152 You say, you know, "Are you in there, you know? Hello? Hello?" 646 00:31:33,153 --> 00:31:36,819 And most of the time, you don't get anything back. 647 00:31:36,820 --> 00:31:39,069 He really cuts through the bullshit. 648 00:31:39,070 --> 00:31:42,791 ♪ Good men through the ages ♪ 649 00:31:42,861 --> 00:31:45,166 ♪ Tryin' to find the sun ♪ 650 00:31:46,736 --> 00:31:50,694 ♪ And I wonder, still I wonder ♪ 651 00:31:50,695 --> 00:31:54,083 ♪ Who'll stop the rain? ♪ 652 00:31:55,695 --> 00:31:57,777 I want people to know when I'm really saying 653 00:31:57,778 --> 00:31:59,652 something seriously and when I'm… 654 00:31:59,653 --> 00:32:01,708 just being an entertainer, you know? 655 00:32:02,820 --> 00:32:05,250 But it's also important that I don't appeal 656 00:32:05,320 --> 00:32:07,902 the basic motivations and I don't start, 657 00:32:07,903 --> 00:32:10,500 you know, "Hey, all you hippies, 658 00:32:10,570 --> 00:32:12,750 join together and let's smoke dope," you know? 659 00:32:12,820 --> 00:32:14,777 I mean, people are gonna dig that. 660 00:32:14,778 --> 00:32:16,416 A certain element of society. 661 00:32:16,486 --> 00:32:17,875 But I don't want them digging it for that. 662 00:32:17,945 --> 00:32:19,750 I want them to look a little further than just, "Hey. 663 00:32:19,820 --> 00:32:21,402 Okay. We're all together, brother," 664 00:32:21,403 --> 00:32:22,569 you know, and that crap. 665 00:32:22,570 --> 00:32:24,916 "Who'll Stop the Rain," 666 00:32:24,986 --> 00:32:27,125 and some of the others too, especially that one, 667 00:32:27,195 --> 00:32:28,875 I tried to stay away from, 668 00:32:28,945 --> 00:32:31,166 "Hey, he's a left-wing radical crazy 669 00:32:31,236 --> 00:32:34,291 or he's a super Bircher," you know, 670 00:32:34,361 --> 00:32:36,250 because both sides can take it, you know, 671 00:32:36,320 --> 00:32:38,166 and use it as their own rallying cry. 672 00:32:38,236 --> 00:32:39,944 Same as "Fortunate Son," really. 673 00:32:39,945 --> 00:32:43,402 ♪ It ain't me, it ain't me ♪ 674 00:32:43,403 --> 00:32:46,902 ♪ I ain't no senator's son, son ♪ 675 00:32:46,903 --> 00:32:50,569 ♪ It ain't me, it ain't me ♪ 676 00:32:50,570 --> 00:32:54,041 ♪ I ain't no fortunate one, no ♪ 677 00:32:54,111 --> 00:32:57,000 As 1969 was drawing to a close, 678 00:32:57,070 --> 00:32:59,916 John Fogerty was considered one of America's 679 00:32:59,986 --> 00:33:03,166 most politically significant songwriters. 680 00:33:03,236 --> 00:33:05,902 And in this year alone, Creedence had accomplished 681 00:33:05,903 --> 00:33:08,750 more than most groups managed during a whole career, 682 00:33:08,820 --> 00:33:11,416 including four top ten singles 683 00:33:11,486 --> 00:33:13,875 and three top ten albums. 684 00:33:13,945 --> 00:33:16,194 To emphasize this success, 685 00:33:16,195 --> 00:33:20,958 Rolling Stone magazine declared them best American band. 686 00:33:21,278 --> 00:33:24,625 The outsiders from El Cerrito, had come a long way. 687 00:33:24,695 --> 00:33:28,166 And 1970 began with a celebratory concert 688 00:33:28,236 --> 00:33:32,277 on home turf, in front of 15,000 ecstatic fans 689 00:33:32,278 --> 00:33:34,652 at California's Oakland Coliseum. 690 00:33:34,653 --> 00:33:37,375 ♪ Keep on chooglin' ♪ 691 00:33:37,445 --> 00:33:40,250 ♪ Keep on chooglin' ♪ 692 00:33:40,320 --> 00:33:42,291 ♪ Keep on chooglin' ♪ 693 00:33:42,361 --> 00:33:44,485 ♪ Chooglin', chooglin' ♪ 694 00:33:44,486 --> 00:33:46,083 ♪ Chooglin', chooglin' ♪ 695 00:33:49,486 --> 00:33:51,527 ♪ Maybe you don't understand ♪ 696 00:33:51,528 --> 00:33:54,694 In America, Creedence were flying high, 697 00:33:54,695 --> 00:33:58,110 and three months after their victorious Oakland concert, 698 00:33:58,111 --> 00:34:00,444 they took their show to Europe. 699 00:34:07,861 --> 00:34:10,916 Their European campaign began on April 7th 700 00:34:10,986 --> 00:34:14,125 when they touched down at London's Heathrow Airport. 701 00:34:15,445 --> 00:34:19,527 ♪ There's a place Up ahead and I'm going ♪ 702 00:34:19,528 --> 00:34:22,125 ♪ Just as fast As my feet can fly ♪ 703 00:34:22,195 --> 00:34:24,485 When we got to London, we were just destroyed. 704 00:34:24,486 --> 00:34:27,652 Eleven-hour flight and a nine-hour time difference. 705 00:34:27,653 --> 00:34:30,402 It was like when it was night, it was morning. 706 00:34:30,403 --> 00:34:33,735 You know, you get so tired that you just can't sleep. 707 00:34:33,736 --> 00:34:35,125 And then, just immediately went out 708 00:34:35,195 --> 00:34:37,360 and got on a double-decker bus 709 00:34:37,361 --> 00:34:39,527 and just started cruising through London. 710 00:34:45,945 --> 00:34:48,027 Creedence's highly anticipated 711 00:34:48,028 --> 00:34:51,041 sold-out concerts at London's Royal Albert Hall 712 00:34:51,111 --> 00:34:53,527 would take on even greater significance 713 00:34:53,528 --> 00:34:57,916 when just days before news broke that shook the world. 714 00:34:57,986 --> 00:35:00,625 The event is so momentous that historians 715 00:35:00,695 --> 00:35:03,402 may one day view it as a landmark 716 00:35:03,403 --> 00:35:05,902 in the decline of the British Empire. 717 00:35:05,903 --> 00:35:07,875 The Beatles are breaking up. 718 00:35:09,945 --> 00:35:11,666 With the London audience 719 00:35:11,736 --> 00:35:13,833 reeling from the news of The Beatles' breakup, 720 00:35:14,445 --> 00:35:17,041 Creedence was now poised to take on the mantle 721 00:35:17,111 --> 00:35:19,250 of the biggest group in the world. 722 00:35:19,320 --> 00:35:21,277 My biggest fear, man, if these people 723 00:35:21,278 --> 00:35:23,250 are gonna boo us off. You know, you're not sacred. 724 00:35:23,320 --> 00:35:26,291 If you ain't making it, you-- the first cat's gonna-- you know, 725 00:35:26,361 --> 00:35:29,125 everyone else think it's like The Emperor Wears No Clothes. 726 00:35:29,195 --> 00:35:31,791 Finally some cat'll go, "Boo," 727 00:35:31,861 --> 00:35:33,291 and pretty soon the whole place 728 00:35:33,361 --> 00:35:34,944 will just tear you to pieces, you know? 729 00:35:34,945 --> 00:35:36,902 There's a lot of pressure on John 730 00:35:36,903 --> 00:35:38,500 and there's a lot of pressure, I guess, on all of us, 731 00:35:38,570 --> 00:35:42,125 because I wanna live up to what John expects of me. 732 00:35:43,361 --> 00:35:45,166 And hopefully because we've practiced a lot 733 00:35:45,236 --> 00:35:47,041 and we have improved anyway, you know, just… 734 00:35:47,111 --> 00:35:49,360 evolving as musicians, we want that to happen. 735 00:35:49,361 --> 00:35:51,750 You know, it's four parts that make up a whole. 736 00:35:51,820 --> 00:35:53,500 Every once in a while, you really-- 737 00:35:53,570 --> 00:35:55,652 you really know together, you know? 738 00:35:55,653 --> 00:35:57,750 It's like four people are one. 739 00:35:57,820 --> 00:36:01,166 In other words, if something-- if something goes wrong, 740 00:36:01,236 --> 00:36:02,750 hopefully, instead of getting uptight, 741 00:36:02,820 --> 00:36:05,041 we'll just remember that time in Omaha 742 00:36:05,111 --> 00:36:06,777 or that time in Lodi. 743 00:36:06,778 --> 00:36:08,902 You just remember all the little funny things 744 00:36:08,903 --> 00:36:10,458 that have happened in 11 years. 745 00:36:24,945 --> 00:36:27,152 ♪ Seven thirty seven Comin' out of the sky ♪ 746 00:36:27,153 --> 00:36:29,916 ♪ Oh, won't you take me down To Memphis on a midnight ride ♪ 747 00:36:29,986 --> 00:36:31,666 ♪ I want to move ♪ 748 00:36:31,736 --> 00:36:34,291 ♪ Playin' in a travelin' band ♪ 749 00:36:34,361 --> 00:36:37,166 ♪ Yeah, and I'm flyin' 'Cross the land ♪ 750 00:36:37,236 --> 00:36:38,666 ♪ Tryin' to get a hand ♪ 751 00:36:38,736 --> 00:36:41,541 ♪ Playin' in a travelin' band ♪ 752 00:36:41,611 --> 00:36:44,375 ♪ Get me to the hotel Baggage gone, oh well ♪ 753 00:36:44,445 --> 00:36:46,902 ♪ Come on, come on Won't you get me to my room ♪ 754 00:36:46,903 --> 00:36:48,652 ♪ I want to move ♪ 755 00:36:48,653 --> 00:36:51,152 ♪ Playin' in a travelin' band ♪ 756 00:36:51,153 --> 00:36:52,527 ♪ Yeah ♪ 757 00:36:52,528 --> 00:36:54,125 ♪ Well, I'm flyin' 'Cross the land ♪ 758 00:36:54,195 --> 00:36:55,625 ♪ Tryin' to get a hand ♪ 759 00:36:55,695 --> 00:36:58,777 ♪ Playin' in a travelin' band ♪ 760 00:36:58,778 --> 00:37:01,666 ♪ Listen to the radio Talkin' 'bout the last show ♪ 761 00:37:01,736 --> 00:37:04,152 ♪ Someone got excited Had to call the state militia ♪ 762 00:37:04,153 --> 00:37:05,652 ♪ Want to move ♪ 763 00:37:05,653 --> 00:37:07,500 ♪ Playin' in a travelin' band ♪ 764 00:37:07,570 --> 00:37:09,250 ♪ Yeah ♪ 765 00:37:09,320 --> 00:37:11,000 ♪ And I'm flyin' 'Cross the land ♪ 766 00:37:11,070 --> 00:37:12,270 ♪ Tryin' to get a hand ♪ 767 00:37:12,320 --> 00:37:15,375 ♪ Playin' in a travelin' band ♪ 768 00:37:26,820 --> 00:37:29,250 ♪ Here we come again On a Saturday night ♪ 769 00:37:29,320 --> 00:37:30,875 ♪ With your fussin' And your fightin' ♪ 770 00:37:30,945 --> 00:37:33,416 ♪ Won't you get me to the rhyme I want to move ♪ 771 00:37:33,486 --> 00:37:36,166 ♪ Playin' in a travelin' band ♪ 772 00:37:36,236 --> 00:37:37,652 ♪ Yeah ♪ 773 00:37:37,653 --> 00:37:39,291 ♪ Well, I'm flyin' 'Cross the land ♪ 774 00:37:39,361 --> 00:37:40,791 ♪ Tryin' to get a hand ♪ 775 00:37:40,861 --> 00:37:42,500 ♪ Playin' in a travelin' band ♪ 776 00:37:42,570 --> 00:37:44,652 ♪ Woo! ♪ 777 00:37:54,778 --> 00:37:57,416 ♪ Playin' in a travelin' band ♪ 778 00:37:57,486 --> 00:38:00,652 ♪ Playin' in a travelin' band ♪ 779 00:38:00,653 --> 00:38:02,791 ♪ Won't you give myself A hand? ♪ 780 00:38:02,861 --> 00:38:05,166 ♪ I'm playin' In a travelin' band ♪ 781 00:38:05,236 --> 00:38:07,652 ♪ Well, I'm flyin' 'Cross the land ♪ 782 00:38:07,653 --> 00:38:08,902 ♪ Tryin' to get a hand ♪ 783 00:38:08,903 --> 00:38:10,416 ♪ Playin' in a travelin' band ♪ 784 00:38:10,486 --> 00:38:11,916 ♪ Oh, now ♪ 785 00:38:44,320 --> 00:38:48,250 ♪ When I was just a little boy ♪ 786 00:38:48,320 --> 00:38:51,250 ♪ Standin' to my daddy's knee ♪ 787 00:38:52,736 --> 00:38:56,375 ♪ My papa said, son, Don't let the man get you ♪ 788 00:38:56,445 --> 00:38:58,666 ♪ And do what he done to me ♪ 789 00:38:59,986 --> 00:39:01,541 ♪ 'Cause he'll get you, Lord ♪ 790 00:39:04,028 --> 00:39:08,625 ♪ Get right now, now ♪ 791 00:39:08,695 --> 00:39:12,777 ♪ Well, I can remember The Fourth of July ♪ 792 00:39:12,778 --> 00:39:15,500 ♪ Runnin' through The backwood bay ♪ 793 00:39:16,820 --> 00:39:20,027 ♪ And I can still hear My old hound dog ♪ 794 00:39:20,028 --> 00:39:23,541 ♪ Barkin' chasin' down A hoodoo there ♪ 795 00:39:25,153 --> 00:39:28,000 ♪ Chasin' down a hoodoo there ♪ 796 00:39:30,028 --> 00:39:32,875 ♪ Born on the bayou ♪ 797 00:39:34,195 --> 00:39:36,527 ♪ Born on the bayou ♪ 798 00:39:36,528 --> 00:39:38,000 ♪ All right, yeah ♪ 799 00:39:38,070 --> 00:39:41,500 ♪ Born on the bayou, do it, do it ♪ 800 00:40:52,236 --> 00:40:56,250 ♪ I wish I were back On the bayou ♪ 801 00:40:56,320 --> 00:41:00,777 ♪ Rollin' with some Cajun Queen ♪ 802 00:41:00,778 --> 00:41:03,916 ♪ Wish I were A fast freight train ♪ 803 00:41:03,986 --> 00:41:07,666 ♪ A-just a-choogling on Down to New Orleans ♪ 804 00:41:09,403 --> 00:41:11,875 ♪ Born on the bayou ♪ 805 00:41:13,320 --> 00:41:15,791 ♪ Born on the bayou ♪ 806 00:41:15,861 --> 00:41:17,402 ♪ All right, yeah ♪ 807 00:41:17,403 --> 00:41:19,277 ♪ Born on the bayou ♪ 808 00:41:19,278 --> 00:41:20,666 ♪ Do it, do it ♪ 809 00:42:20,486 --> 00:42:24,402 ♪ I can remember The Fourth of July ♪ 810 00:42:24,403 --> 00:42:28,291 ♪ Runnin' through The backwood bay ♪ 811 00:42:28,361 --> 00:42:32,250 ♪ And I can still hear My old hound dog barkin' ♪ 812 00:42:32,320 --> 00:42:36,277 ♪ Chasin' down a hoodoo there ♪ 813 00:42:36,278 --> 00:42:39,541 ♪ Chasin' down a hoodoo there ♪ 814 00:42:41,236 --> 00:42:43,750 ♪ Born on the bayou ♪ 815 00:42:45,195 --> 00:42:47,666 ♪ Born on the bayou ♪ 816 00:42:47,736 --> 00:42:49,125 ♪ All right, yeah ♪ 817 00:42:49,195 --> 00:42:51,000 ♪ Born on the bayou ♪ 818 00:42:51,070 --> 00:42:53,416 ♪ Do it, do it, do it, do it ♪ 819 00:43:21,111 --> 00:43:22,375 Thank you. 820 00:43:24,653 --> 00:43:26,541 Yeah. All right. 821 00:43:44,445 --> 00:43:46,375 ♪ Well ♪ 822 00:43:46,445 --> 00:43:49,833 ♪ Take me back down Where cool water flows, y'all ♪ 823 00:43:53,028 --> 00:43:56,416 ♪ Oh, let me remember The things I love ♪ 824 00:43:59,570 --> 00:44:03,125 ♪ Stoppin' at the log Where catfish bite ♪ 825 00:44:03,195 --> 00:44:06,750 ♪ Walkin' along The river road at night ♪ 826 00:44:06,820 --> 00:44:10,708 ♪ Barefoot girls dancin' In the moonlight ♪ 827 00:44:13,153 --> 00:44:16,541 ♪ I can hear The bullfrog callin' me ♪ 828 00:44:19,903 --> 00:44:23,583 ♪ Wonder if my rope's Still hangin' to the tree ♪ 829 00:44:26,695 --> 00:44:30,250 ♪ Love to kick my feet Way down the shallow water ♪ 830 00:44:30,320 --> 00:44:33,652 ♪ Shoo fly, dragon fly Get back to your mother ♪ 831 00:44:33,653 --> 00:44:38,291 ♪ Pick up a flat rock, Skip it across Green River ♪ 832 00:44:40,528 --> 00:44:42,166 ♪ Well… ♪ 833 00:45:03,903 --> 00:45:07,541 ♪ Up at Cody's camp I spent my days, Lord ♪ 834 00:45:10,445 --> 00:45:13,666 ♪ With flat car riders And cross-tie walkers ♪ 835 00:45:17,195 --> 00:45:20,652 ♪ Old Cody Junior took me over ♪ 836 00:45:20,653 --> 00:45:23,916 ♪ Said you're gonna find The world is smoldering ♪ 837 00:45:23,986 --> 00:45:28,375 ♪ And if you get lost, Come on home to Green River ♪ 838 00:45:30,778 --> 00:45:33,375 ♪ Well… ♪ 839 00:46:23,861 --> 00:46:25,375 Thank you. 840 00:46:44,070 --> 00:46:47,625 ♪ Tombstone shadow ♪ 841 00:46:47,695 --> 00:46:50,750 ♪ Stretchin' across my path ♪ 842 00:46:52,570 --> 00:46:55,750 ♪ Tombstone shadow ♪ 843 00:46:58,445 --> 00:47:01,402 ♪ Stretchin' across my path ♪ 844 00:47:01,403 --> 00:47:04,416 ♪ Ev'ry time I get Some good news ♪ 845 00:47:04,486 --> 00:47:06,750 ♪ Ooh, there's a shadow On my back ♪ 846 00:47:10,111 --> 00:47:13,152 ♪ Saw the gypsy man ♪ 847 00:47:13,153 --> 00:47:15,750 ♪ 'Way down in San Berdoo ♪ 848 00:47:18,320 --> 00:47:21,000 ♪ Said, I saw the gypsy man ♪ 849 00:47:23,653 --> 00:47:26,625 ♪ 'Way down in San Berdoo ♪ 850 00:47:26,695 --> 00:47:29,527 ♪ Five dollars on the table ♪ 851 00:47:29,528 --> 00:47:32,416 ♪ Ooh, keep me 'way From my tomb ♪ 852 00:47:59,986 --> 00:48:02,625 ♪ Said I got thirteen months of bad luck ♪ 853 00:48:02,695 --> 00:48:04,625 ♪ Bound to be some pain ♪ 854 00:48:04,695 --> 00:48:06,652 ♪ Don't you do no trav'lin' ♪ 855 00:48:06,653 --> 00:48:08,152 ♪ Fly in no machines ♪ 856 00:48:08,153 --> 00:48:11,541 ♪ Tombstone shadow ♪ 857 00:48:11,611 --> 00:48:14,583 ♪ Stretchin' across my path ♪ 858 00:48:16,820 --> 00:48:19,500 ♪ Ev'ry time I get Some good news ♪ 859 00:48:19,570 --> 00:48:22,666 ♪ Ooh, here come shadow On my back ♪ 860 00:48:49,986 --> 00:48:53,027 ♪ The man gave me a luck charm ♪ 861 00:48:53,028 --> 00:48:55,666 ♪ Cost five dollars more, Lord ♪ 862 00:48:58,153 --> 00:49:01,416 ♪ Said, put some On your pillow ♪ 863 00:49:01,486 --> 00:49:04,083 ♪ And put some on your door ♪ 864 00:49:06,486 --> 00:49:09,277 ♪ He said, take a long vacation ♪ 865 00:49:09,278 --> 00:49:12,041 ♪ Ooh, for 13 months or more ♪ 866 00:49:14,486 --> 00:49:17,791 ♪ Tombstone shadow ♪ 867 00:49:17,861 --> 00:49:20,791 ♪ Stretchin' across my path ♪ 868 00:49:22,528 --> 00:49:25,500 ♪ Tombstone shadow ♪ 869 00:49:28,028 --> 00:49:30,916 ♪ Stretchin' across my path ♪ 870 00:49:30,986 --> 00:49:33,902 ♪ Ev'ry time I get Some good news ♪ 871 00:49:33,903 --> 00:49:36,791 ♪ Ooh, here come a shadow On my back ♪ 872 00:50:08,111 --> 00:50:09,791 Thank you. 873 00:50:19,403 --> 00:50:21,000 Thank you. 874 00:51:28,528 --> 00:51:31,902 ♪ Some folks are born Made to wave the flag ♪ 875 00:51:31,903 --> 00:51:35,152 ♪ Hoo, they're red, white and blue ♪ 876 00:51:35,153 --> 00:51:38,416 ♪ And when the band plays Hail to the chief ♪ 877 00:51:38,486 --> 00:51:41,666 ♪ Ooh they point The cannon at you, Lord ♪ 878 00:51:41,736 --> 00:51:44,791 ♪ It ain't me, it ain't me ♪ 879 00:51:44,861 --> 00:51:48,402 ♪ I ain't no senator's son ♪ 880 00:51:48,403 --> 00:51:51,402 ♪ It ain't me, it ain't me ♪ 881 00:51:51,403 --> 00:51:54,375 ♪ I ain't no fortunate one ♪ 882 00:51:54,445 --> 00:51:57,777 ♪ Some folks are born Silver spoon in hand ♪ 883 00:51:57,778 --> 00:52:00,916 ♪ Lord, don't They help themselves? ♪ 884 00:52:01,278 --> 00:52:04,291 ♪ But when the taxman Come to the door ♪ 885 00:52:04,361 --> 00:52:07,625 ♪ Lord the house lookin' Like a rummage sale ♪ 886 00:52:07,695 --> 00:52:10,777 ♪ It ain't me, it ain't me ♪ 887 00:52:10,778 --> 00:52:14,152 ♪ I ain't no millionaire's son ♪ 888 00:52:14,153 --> 00:52:17,277 ♪ It ain't me, it ain't me ♪ 889 00:52:17,278 --> 00:52:20,000 ♪ I ain't no fortunate one ♪ 890 00:52:32,861 --> 00:52:36,625 ♪ Yeah, some folks Inherit star-spangled eyes ♪ 891 00:52:36,695 --> 00:52:39,916 ♪ Hoo, they send you down To war ♪ 892 00:52:39,986 --> 00:52:43,152 ♪ And when you ask 'em, How much should we give? ♪ 893 00:52:43,153 --> 00:52:46,416 ♪ Hoo, they only answer, More, more, more ♪ 894 00:52:46,486 --> 00:52:49,541 ♪ It ain't me, it ain't me ♪ 895 00:52:49,611 --> 00:52:52,791 ♪ I ain't no military son ♪ 896 00:52:52,861 --> 00:52:55,902 ♪ It ain't me, it ain't me ♪ 897 00:52:55,903 --> 00:52:59,027 ♪ I ain't no Fortunate one, one ♪ 898 00:52:59,028 --> 00:53:02,277 ♪ It ain't me, it ain't me ♪ 899 00:53:02,278 --> 00:53:05,500 ♪ I ain't no senator's son, no ♪ 900 00:53:05,570 --> 00:53:08,375 ♪ It ain't me, it ain't me ♪ 901 00:53:08,445 --> 00:53:11,444 ♪ I ain't no fortunate one, one, one, no ♪ 902 00:53:11,445 --> 00:53:14,777 ♪ It ain't me, it ain't me ♪ 903 00:53:14,778 --> 00:53:18,125 ♪ I ain't no Fortunate son, son, no ♪ 904 00:53:18,195 --> 00:53:21,000 ♪ It ain't me, it ain't me ♪ 905 00:53:21,070 --> 00:53:24,333 ♪ I ain't no fortunate one ♪ 906 00:53:43,986 --> 00:53:47,416 ♪ Traffic in the city Turns my head around ♪ 907 00:53:47,486 --> 00:53:51,277 ♪ No, no, no, no, no ♪ 908 00:53:51,278 --> 00:53:54,777 ♪ Backed up on the freeway, Backed up in the church ♪ 909 00:53:54,778 --> 00:53:57,750 ♪ Ev'rywhere you look There's a frown, frown ♪ 910 00:53:57,820 --> 00:53:59,625 ♪ Com, commotion ♪ 911 00:53:59,695 --> 00:54:01,250 ♪ Git, git, git, gone ♪ 912 00:54:01,320 --> 00:54:03,152 ♪ Com, commotion ♪ 913 00:54:03,153 --> 00:54:05,333 ♪ Git, git, git, gone ♪ 914 00:54:12,945 --> 00:54:16,277 ♪ People keep a-talkin' They don't say a word ♪ 915 00:54:16,278 --> 00:54:20,027 ♪ Jaw, jaw, jaw, jaw, jaw ♪ 916 00:54:20,028 --> 00:54:23,527 ♪ Talk up in the White House Talk up to your door ♪ 917 00:54:23,528 --> 00:54:26,291 ♪ So much goin' on I just can't hear ♪ 918 00:54:26,361 --> 00:54:28,041 ♪ Com, commotion ♪ 919 00:54:28,111 --> 00:54:29,902 ♪ Git, git, git, gone ♪ 920 00:54:29,903 --> 00:54:31,625 ♪ Com, commotion ♪ 921 00:54:31,695 --> 00:54:33,652 ♪ Git, git, git, gone ♪ 922 00:54:53,570 --> 00:54:56,791 ♪ Hurryin' to get there So you save some time ♪ 923 00:54:56,861 --> 00:55:00,527 ♪ Run, run, run, run, run ♪ 924 00:55:00,528 --> 00:55:03,902 ♪ Rushin' to the treadmill Rushin' to get home ♪ 925 00:55:03,903 --> 00:55:06,791 ♪ Worry 'bout the time You save, save ♪ 926 00:55:06,861 --> 00:55:08,527 ♪ Com, commotion ♪ 927 00:55:08,528 --> 00:55:10,291 ♪ Git, git, git, gone ♪ 928 00:55:10,361 --> 00:55:12,125 ♪ Com, commotion ♪ 929 00:55:12,195 --> 00:55:13,875 ♪ Git, git, git, gone ♪ 930 00:55:13,945 --> 00:55:15,625 ♪ Com, commotion ♪ 931 00:55:15,695 --> 00:55:18,000 ♪ Git, git, git, gone ♪ 932 00:55:59,736 --> 00:56:01,291 Thank you. 933 00:56:03,320 --> 00:56:05,083 Thank you very much. 934 00:56:32,611 --> 00:56:36,583 ♪ Well, you wake up In the mornin' ♪ 935 00:56:39,486 --> 00:56:42,791 ♪ You hear the work bell ring ♪ 936 00:56:44,528 --> 00:56:47,333 ♪ And they march you To the table ♪ 937 00:56:48,945 --> 00:56:52,416 ♪ You see the same old thing ♪ 938 00:56:53,778 --> 00:56:57,875 ♪ Ain't no food upon the table ♪ 939 00:56:57,945 --> 00:57:00,750 ♪ And no pork up in the pan ♪ 940 00:57:02,736 --> 00:57:07,791 ♪ But you better Not complain, boy ♪ 941 00:57:07,861 --> 00:57:10,750 ♪ You get in trouble With the man ♪ 942 00:57:15,195 --> 00:57:18,902 ♪ Let the Midnight Special ♪ 943 00:57:18,903 --> 00:57:21,125 ♪ Shine a light on me ♪ 944 00:57:22,820 --> 00:57:26,527 ♪ Let the Midnight Special ♪ 945 00:57:26,528 --> 00:57:29,000 ♪ Shine a light on me ♪ 946 00:57:29,070 --> 00:57:30,416 All right. 947 00:57:30,486 --> 00:57:34,152 ♪ Let the Midnight Special ♪ 948 00:57:34,153 --> 00:57:36,291 ♪ Shine a light on me ♪ 949 00:57:38,028 --> 00:57:41,485 ♪ Let the Midnight Special ♪ 950 00:57:41,486 --> 00:57:45,625 ♪ Shine an ever-lovin' Light on me ♪ 951 00:57:45,695 --> 00:57:49,250 ♪ Yonder come Miss Rosie ♪ 952 00:57:49,320 --> 00:57:51,916 ♪ How in the world Did you know? ♪ 953 00:57:53,445 --> 00:57:56,902 ♪ By the way she wears Her apron ♪ 954 00:57:56,903 --> 00:58:00,875 ♪ And the clothes she wore, no ♪ 955 00:58:00,945 --> 00:58:04,902 ♪ Umbrella on her shoulder ♪ 956 00:58:04,903 --> 00:58:07,583 ♪ Piece of paper in her hand ♪ 957 00:58:08,903 --> 00:58:12,027 ♪ She come to see the gov'nor ♪ 958 00:58:12,028 --> 00:58:15,083 ♪ She want to free her man, oh ♪ 959 00:58:16,236 --> 00:58:19,902 ♪ Let the Midnight Special ♪ 960 00:58:19,903 --> 00:58:23,694 ♪ Shine a light on me ♪ 961 00:58:23,695 --> 00:58:27,291 ♪ Let the Midnight Special ♪ 962 00:58:27,361 --> 00:58:31,166 ♪ Shine a light on me ♪ 963 00:58:31,236 --> 00:58:34,916 ♪ Let the Midnight Special ♪ 964 00:58:34,986 --> 00:58:38,777 ♪ Shine a light on me ♪ 965 00:58:38,778 --> 00:58:42,819 ♪ Let the Midnight Special ♪ 966 00:58:42,820 --> 00:58:46,152 ♪ Shine an ever-lovin' Light on me ♪ 967 00:58:46,153 --> 00:58:50,027 ♪ If you're ever in Houston ♪ 968 00:58:50,028 --> 00:58:52,416 ♪ Well, you better do it right ♪ 969 00:58:54,320 --> 00:58:57,527 ♪ You better not gamble ♪ 970 00:58:57,528 --> 00:59:01,291 ♪ And you better Not fight, Lord ♪ 971 00:59:01,361 --> 00:59:05,041 ♪ Or the sheriff will grab ya ♪ 972 00:59:05,111 --> 00:59:07,833 ♪ And the boys Will bring you down ♪ 973 00:59:09,278 --> 00:59:12,625 ♪ The next thing you know, boy ♪ 974 00:59:12,695 --> 00:59:16,625 ♪ Whoa, you're prison bound ♪ 975 00:59:16,695 --> 00:59:20,291 ♪ Let the Midnight Special ♪ 976 00:59:20,361 --> 00:59:22,708 ♪ Shine a light on me ♪ 977 00:59:24,236 --> 00:59:28,027 ♪ Let the Midnight Special ♪ 978 00:59:28,028 --> 00:59:31,625 ♪ Shine a light on me ♪ 979 00:59:31,695 --> 00:59:35,402 ♪ Let the Midnight Special ♪ 980 00:59:35,403 --> 00:59:37,666 ♪ Shine a light on me ♪ 981 00:59:37,736 --> 00:59:39,250 All right, Lord! 982 00:59:39,320 --> 00:59:43,000 ♪ Let the Midnight Special ♪ 983 00:59:43,070 --> 00:59:47,125 ♪ Shine an ever-lovin' light ♪ 984 00:59:47,195 --> 00:59:51,000 ♪ On me ♪ 985 01:00:12,028 --> 01:00:17,152 ♪ I see the bad moon a-risin' ♪ 986 01:00:17,153 --> 01:00:20,666 ♪ I see trouble on the way ♪ 987 01:00:22,278 --> 01:00:25,791 ♪ I see earthquakes And lightnin' ♪ 988 01:00:27,236 --> 01:00:30,500 ♪ I see bad times today ♪ 989 01:00:32,153 --> 01:00:34,402 ♪ Don't go around tonight ♪ 990 01:00:34,403 --> 01:00:37,125 ♪ Well it's bound To take your life ♪ 991 01:00:37,195 --> 01:00:41,083 ♪ There's a bad moon On the rise ♪ 992 01:00:42,445 --> 01:00:46,041 ♪ I hear hurricanes a-blowin' ♪ 993 01:00:47,403 --> 01:00:50,833 ♪ I know the end Is comin' soon ♪ 994 01:00:52,611 --> 01:00:57,652 ♪ I fear rivers over flowin' ♪ 995 01:00:57,653 --> 01:01:00,958 ♪ I hear the voice Of rage and ruin ♪ 996 01:01:02,361 --> 01:01:04,375 ♪ Don't go around tonight ♪ 997 01:01:04,445 --> 01:01:07,402 ♪ Well it's bound To take your life ♪ 998 01:01:07,403 --> 01:01:10,750 ♪ There's a bad moon On the rise ♪ 999 01:01:32,445 --> 01:01:35,833 ♪ Hope you got Your things together ♪ 1000 01:01:37,611 --> 01:01:40,666 ♪ Hope you are Quite prepared to die ♪ 1001 01:01:42,236 --> 01:01:45,750 ♪ Looks like we're in for nasty weather ♪ 1002 01:01:47,653 --> 01:01:50,458 ♪ One eye is taken for an eye ♪ 1003 01:01:51,820 --> 01:01:54,527 ♪ Well don't go around tonight ♪ 1004 01:01:54,528 --> 01:01:57,402 ♪ Well it's bound To take your life ♪ 1005 01:01:57,403 --> 01:02:00,666 ♪ There's a bad moon On the rise ♪ 1006 01:02:02,486 --> 01:02:04,625 ♪ Don't come around tonight ♪ 1007 01:02:04,695 --> 01:02:07,541 ♪ Well it's bound To take your life ♪ 1008 01:02:07,611 --> 01:02:11,000 ♪ There's a bad moon On the rise ♪ 1009 01:02:17,986 --> 01:02:20,666 - Thank you very much. - Thank you. 1010 01:02:37,528 --> 01:02:41,250 ♪ Left a good job in the city ♪ 1011 01:02:41,320 --> 01:02:45,277 ♪ Workin' for the man Ev'ry night and day ♪ 1012 01:02:45,278 --> 01:02:49,000 ♪ And I never lost One minute of sleepin' ♪ 1013 01:02:49,070 --> 01:02:52,916 ♪ Worryin' 'bout the way Things might have been ♪ 1014 01:02:52,986 --> 01:02:56,500 ♪ Big wheel keep on turnin' ♪ 1015 01:02:56,570 --> 01:03:00,250 ♪ Proud Mary keep on burnin' ♪ 1016 01:03:00,320 --> 01:03:03,916 ♪ Rollin', rollin' ♪ 1017 01:03:03,986 --> 01:03:06,458 ♪ Rollin' on the river ♪ 1018 01:03:08,111 --> 01:03:11,652 ♪ Cleaned a lot of plates In Memphis ♪ 1019 01:03:11,653 --> 01:03:15,625 ♪ Pumped a lot of 'pane Down in New Orleans ♪ 1020 01:03:15,695 --> 01:03:19,777 ♪ But I never saw The good side of the city ♪ 1021 01:03:19,778 --> 01:03:23,166 ♪ 'Til I hitched a ride On a river boat queen ♪ 1022 01:03:23,236 --> 01:03:26,666 ♪ Big wheel keep on turnin' ♪ 1023 01:03:26,736 --> 01:03:29,500 ♪ Proud Mary keep on burnin' ♪ 1024 01:03:30,653 --> 01:03:32,291 ♪ Rollin', yeah ♪ 1025 01:03:32,361 --> 01:03:34,277 ♪ Rollin', all right ♪ 1026 01:03:34,278 --> 01:03:36,625 ♪ Rollin' on the river ♪ 1027 01:04:11,736 --> 01:04:13,625 ♪ Rollin' ♪ 1028 01:04:13,695 --> 01:04:15,375 ♪ Rollin', yeah ♪ 1029 01:04:15,445 --> 01:04:17,625 ♪ Rollin' on the river ♪ 1030 01:04:30,778 --> 01:04:33,625 ♪ If you come down To the river ♪ 1031 01:04:33,695 --> 01:04:38,125 ♪ Bet you gonna find Some people who live ♪ 1032 01:04:38,195 --> 01:04:42,027 ♪ You don't have to worry 'Cause you have no money ♪ 1033 01:04:42,028 --> 01:04:45,652 ♪ People on the river Are happy to give ♪ 1034 01:04:45,653 --> 01:04:49,125 ♪ Big wheel keep on turnin' ♪ 1035 01:04:49,195 --> 01:04:52,875 ♪ Proud Mary keep on burnin' ♪ 1036 01:04:52,945 --> 01:04:54,875 ♪ Rollin', yeah ♪ 1037 01:04:54,945 --> 01:04:56,777 ♪ Rollin', oh ♪ 1038 01:04:56,778 --> 01:04:59,166 ♪ Rollin' on the river ♪ 1039 01:05:00,611 --> 01:05:02,250 ♪ Rollin' ♪ 1040 01:05:02,320 --> 01:05:04,250 ♪ Rollin', yeah ♪ 1041 01:05:04,320 --> 01:05:06,666 ♪ Rollin' on the river ♪ 1042 01:05:07,986 --> 01:05:09,666 ♪ Rollin', oh ♪ 1043 01:05:09,736 --> 01:05:11,777 ♪ Rollin', yeah ♪ 1044 01:05:11,778 --> 01:05:14,208 ♪ Rollin' on the river ♪ 1045 01:06:41,611 --> 01:06:44,291 ♪ You know the night time ♪ 1046 01:06:44,361 --> 01:06:46,958 ♪ Oh, is the right time ♪ 1047 01:06:48,653 --> 01:06:50,916 ♪ To be ♪ 1048 01:06:50,986 --> 01:06:53,000 ♪ With the one you love ♪ 1049 01:06:54,570 --> 01:06:57,625 ♪ I said the night time ♪ 1050 01:06:57,695 --> 01:07:01,902 ♪ Ooh, is the right time ♪ 1051 01:07:01,903 --> 01:07:03,777 ♪ To be ♪ 1052 01:07:03,778 --> 01:07:06,000 ♪ With the one you love ♪ 1053 01:07:08,070 --> 01:07:10,777 ♪ I said the night time, baby ♪ 1054 01:07:10,778 --> 01:07:13,527 ♪ Yeah, is the right time ♪ 1055 01:07:13,528 --> 01:07:15,875 ♪ To be with the one you love ♪ 1056 01:07:20,903 --> 01:07:23,527 ♪ Baby ♪ 1057 01:07:23,528 --> 01:07:25,833 ♪ I said a baby ♪ 1058 01:07:27,653 --> 01:07:30,250 ♪ Baby ♪ 1059 01:07:30,320 --> 01:07:32,833 ♪ Come on And drive me crazy, Lord ♪ 1060 01:07:34,111 --> 01:07:36,791 ♪ You know I love you ♪ 1061 01:07:36,861 --> 01:07:40,027 ♪ Always thinkin' of you ♪ 1062 01:07:40,028 --> 01:07:42,458 ♪ Hey, baby ♪ 1063 01:07:43,445 --> 01:07:45,708 ♪ Oh, I said a baby, oh ♪ 1064 01:07:47,486 --> 01:07:49,916 ♪ I said the night time ♪ 1065 01:07:49,986 --> 01:07:53,166 ♪ Is the right time ♪ 1066 01:07:53,236 --> 01:07:56,416 ♪ To be with the one you love ♪ 1067 01:07:56,486 --> 01:07:58,041 ♪ All I can say ♪ 1068 01:08:39,820 --> 01:08:42,541 ♪ I said the night time ♪ 1069 01:08:42,611 --> 01:08:44,791 ♪ Oh, is the right time ♪ 1070 01:08:47,028 --> 01:08:49,250 ♪ To be ♪ 1071 01:08:49,320 --> 01:08:51,333 ♪ With the one you love ♪ 1072 01:08:52,986 --> 01:08:54,833 ♪ I said the night time ♪ 1073 01:08:56,070 --> 01:08:58,375 ♪ Ooh, is the right time ♪ 1074 01:09:00,320 --> 01:09:02,500 ♪ To be ♪ 1075 01:09:02,570 --> 01:09:04,583 ♪ With the one you love ♪ 1076 01:09:06,570 --> 01:09:08,375 ♪ I said the night time, baby ♪ 1077 01:09:09,820 --> 01:09:12,375 ♪ Oh, is the right time ♪ 1078 01:09:12,445 --> 01:09:14,625 ♪ To be with the one you love ♪ 1079 01:10:26,736 --> 01:10:28,916 ♪ Good golly, Miss Molly ♪ 1080 01:10:30,195 --> 01:10:31,750 ♪ Sure like a ball ♪ 1081 01:10:32,945 --> 01:10:35,000 ♪ Good golly, Miss Molly ♪ 1082 01:10:36,320 --> 01:10:37,708 ♪ Sure like a ball ♪ 1083 01:10:39,028 --> 01:10:41,083 ♪ When you're Rockin' 'n' rollin' ♪ 1084 01:10:42,236 --> 01:10:44,166 ♪ Can't hear your momma call ♪ 1085 01:10:45,903 --> 01:10:47,527 ♪ From the early Early mornin' ♪ 1086 01:10:47,528 --> 01:10:48,902 ♪ 'Til the early, early night ♪ 1087 01:10:48,903 --> 01:10:50,402 ♪ You can see Miss Molly rockin' ♪ 1088 01:10:50,403 --> 01:10:51,791 ♪ At the house of blue lights ♪ 1089 01:10:51,861 --> 01:10:53,791 ♪ Ah, good golly, Miss Molly ♪ 1090 01:10:55,028 --> 01:10:56,458 ♪ Sure like a ball ♪ 1091 01:10:57,736 --> 01:10:59,666 ♪ When you're Rockin' 'n' rollin' ♪ 1092 01:11:00,945 --> 01:11:02,833 ♪ Can't hear your momma call ♪ 1093 01:11:04,278 --> 01:11:06,041 ♪ Say, momma, poppa told me ♪ 1094 01:11:06,111 --> 01:11:07,652 ♪ Son, you better Watch your step ♪ 1095 01:11:07,653 --> 01:11:09,152 ♪ If I knew my momma, poppa ♪ 1096 01:11:09,153 --> 01:11:10,541 ♪ Have to watch my pop myself ♪ 1097 01:11:10,611 --> 01:11:12,416 ♪ Ah, good golly, Miss Molly ♪ 1098 01:11:13,695 --> 01:11:15,166 ♪ Sure like a ball ♪ 1099 01:11:16,361 --> 01:11:18,500 ♪ When you're Rockin' 'n' rollin' ♪ 1100 01:11:19,528 --> 01:11:21,125 ♪ Can't hear your momma call ♪ 1101 01:11:41,820 --> 01:11:44,166 ♪ I am goin' to the corner Gonna buy a diamond ring ♪ 1102 01:11:44,236 --> 01:11:45,625 ♪ Would you pardon me A kissin' ♪ 1103 01:11:45,695 --> 01:11:47,152 ♪ 'N' a ting-a-ling-a-ling? ♪ 1104 01:11:47,153 --> 01:11:49,041 ♪ Oh, good golly, Miss Molly ♪ 1105 01:11:50,361 --> 01:11:51,833 ♪ Sure like a ball ♪ 1106 01:11:53,153 --> 01:11:56,166 ♪ When you're Rockin' 'n' rollin' ♪ 1107 01:11:56,236 --> 01:11:58,291 ♪ Can't hear your momma call ♪ 1108 01:11:58,361 --> 01:11:59,902 ♪ Aaaah ♪ 1109 01:12:17,361 --> 01:12:19,416 ♪ Good golly, Miss Molly ♪ 1110 01:12:20,486 --> 01:12:21,791 ♪ Sure like a ball ♪ 1111 01:12:23,195 --> 01:12:25,416 ♪ Good golly, Miss Molly ♪ 1112 01:12:26,611 --> 01:12:28,375 ♪ Sure like a ball ♪ 1113 01:12:29,320 --> 01:12:32,277 ♪ When you're Rockin' 'n' rollin' ♪ 1114 01:12:32,278 --> 01:12:34,125 ♪ Can't hear your momma call ♪ 1115 01:12:41,945 --> 01:12:43,145 Thank you. 1116 01:13:15,611 --> 01:13:18,277 This will be our last song, 1117 01:13:18,278 --> 01:13:20,791 but we hope you all join in and listen. 1118 01:13:22,111 --> 01:13:23,875 Help us keep something going. 1119 01:13:23,945 --> 01:13:25,875 In advance, we wanna say 1120 01:13:25,945 --> 01:13:28,041 thank you very much for having us here in London. 1121 01:13:28,111 --> 01:13:29,500 Here's a song called… 1122 01:13:31,070 --> 01:13:34,250 …"Keep On--" just "Keep On--" "Keep On Chooglin'." 1123 01:13:58,320 --> 01:14:00,916 ♪ Keep on chooglin' ♪ 1124 01:14:00,986 --> 01:14:03,500 ♪ Keep on chooglin' ♪ 1125 01:14:03,570 --> 01:14:05,527 ♪ Keep on chooglin' ♪ 1126 01:14:05,528 --> 01:14:07,250 ♪ Chooglin' ♪ 1127 01:14:07,320 --> 01:14:09,458 ♪ Chooglin', chooglin' Chooglin' ♪ 1128 01:14:12,695 --> 01:14:15,402 ♪ Maybe you don't Understand it ♪ 1129 01:14:15,403 --> 01:14:17,916 ♪ But if you're a natural man ♪ 1130 01:14:17,986 --> 01:14:20,875 ♪ You got to ball And have a good time ♪ 1131 01:14:20,945 --> 01:14:24,083 ♪ And that's What I call chooglin' ♪ 1132 01:14:26,528 --> 01:14:29,166 ♪ Here comes Mary Lookin' for Harry ♪ 1133 01:14:29,236 --> 01:14:31,125 ♪ She gonna choogle tonight ♪ 1134 01:14:32,236 --> 01:14:34,875 ♪ Here comes Louie Works in the sewer, Lord ♪ 1135 01:14:34,945 --> 01:14:36,541 ♪ He gonna choogle tonight ♪ 1136 01:14:38,153 --> 01:14:39,875 ♪ Keep on chooglin' ♪ 1137 01:14:40,986 --> 01:14:42,625 ♪ Keep on chooglin' ♪ 1138 01:14:43,778 --> 01:14:45,375 ♪ Keep on chooglin' ♪ 1139 01:14:45,445 --> 01:14:47,166 ♪ Chooglin' ♪ 1140 01:14:47,236 --> 01:14:49,250 ♪ Chooglin', chooglin' Chooglin' ♪ 1141 01:19:37,695 --> 01:19:40,166 ♪ Keep on chooglin' ♪ 1142 01:19:40,236 --> 01:19:42,916 ♪ Keep on chooglin' ♪ 1143 01:19:42,986 --> 01:19:46,125 ♪ Keep on chooglin' Chooglin' ♪ 1144 01:19:46,195 --> 01:19:48,250 ♪ Chooglin' Chooglin', chooglin' ♪ 1145 01:19:51,236 --> 01:19:54,000 ♪ If you can choose it Who can refuse it ♪ 1146 01:19:54,070 --> 01:19:56,375 ♪ Y'all be chooglin' tonight ♪ 1147 01:19:56,445 --> 01:19:59,166 ♪ Go on, take your pick Right from the git go ♪ 1148 01:19:59,236 --> 01:20:01,083 ♪ You gotta choogle tonight ♪ 1149 01:20:02,486 --> 01:20:04,916 ♪ Keep on chooglin' ♪ 1150 01:20:04,986 --> 01:20:07,666 ♪ Keep on chooglin' ♪ 1151 01:20:07,736 --> 01:20:10,625 ♪ Keep on chooglin' Chooglin' ♪ 1152 01:20:10,695 --> 01:20:13,527 ♪ Chooglin' Chooglin', chooglin' ♪ 1153 01:20:13,528 --> 01:20:16,027 ♪ Chooglin', chooglin' ♪ 1154 01:20:16,028 --> 01:20:19,166 ♪ Chooglin', chooglin' Chooglin', chooglin' ♪ 1155 01:21:36,153 --> 01:21:38,777 Good night, y'all. We love you. 1156 01:21:57,736 --> 01:22:00,916 Creedence received a 15-minute standing ovation, 1157 01:22:00,986 --> 01:22:03,166 clearly winning over the London audience 1158 01:22:03,236 --> 01:22:05,166 and solidifying this performance 1159 01:22:05,236 --> 01:22:07,833 is a major highlight of their career. 1160 01:22:11,153 --> 01:22:14,819 Later that year, their fifth album, Cosmo's Factory, 1161 01:22:14,820 --> 01:22:17,166 topped the charts around the world, 1162 01:22:17,236 --> 01:22:19,708 including the US and UK. 1163 01:22:20,986 --> 01:22:23,791 Creedence could then rightfully lay claim to being 1164 01:22:23,861 --> 01:22:26,166 the biggest band in the world. 1165 01:22:46,611 --> 01:22:48,875 ♪ Just got home from Illinois ♪ 1166 01:22:48,945 --> 01:22:51,041 ♪ Lock the front door, oh boy! ♪ 1167 01:22:51,111 --> 01:22:55,666 ♪ Got to sit down Take a rest on the porch ♪ 1168 01:22:55,736 --> 01:22:57,916 ♪ Imagination sets in ♪ 1169 01:22:57,986 --> 01:23:00,250 ♪ Pretty soon I'm singin' ♪ 1170 01:23:00,320 --> 01:23:04,402 ♪ Doo, doo, doo Lookin' out my back door ♪ 1171 01:23:04,403 --> 01:23:07,152 ♪ There's a giant Doin' cartwheels ♪ 1172 01:23:07,153 --> 01:23:09,416 ♪ A statue wearin' high heels ♪ 1173 01:23:09,486 --> 01:23:14,041 ♪ Look at all the happy Creatures dancin' on the lawn ♪ 1174 01:23:14,111 --> 01:23:16,402 ♪ Dinosaur Victrola ♪ 1175 01:23:16,403 --> 01:23:18,625 ♪ Listenin' to Buck Owens ♪ 1176 01:23:18,695 --> 01:23:23,125 ♪ Doo, doo, doo Lookin' out my back door ♪ 1177 01:23:23,195 --> 01:23:27,402 ♪ Tambourines and elephants Are playin' in the band ♪ 1178 01:23:27,403 --> 01:23:31,277 ♪ Won't you take a ride On the flyin' spoon? ♪ 1179 01:23:31,278 --> 01:23:32,541 ♪ Dood-n-doo-doo ♪ 1180 01:23:32,611 --> 01:23:34,250 ♪ Wondrous apparition ♪ 1181 01:23:34,320 --> 01:23:36,902 ♪ Provided by magician ♪ 1182 01:23:36,903 --> 01:23:41,027 ♪ Doo, doo, doo Lookin' out my back door ♪ 1183 01:23:59,653 --> 01:24:01,750 ♪ Tambourines and elephants ♪ 1184 01:24:01,820 --> 01:24:03,916 ♪ Are playin' in the band ♪ 1185 01:24:03,986 --> 01:24:07,625 ♪ Won't you take a ride On the flyin' spoon? ♪ 1186 01:24:07,695 --> 01:24:08,916 ♪ Dood-n-doo-doo ♪ 1187 01:24:08,986 --> 01:24:10,902 ♪ Bother me tomorrow ♪ 1188 01:24:10,903 --> 01:24:13,527 ♪ Today I'll buy no sorrows ♪ 1189 01:24:13,528 --> 01:24:17,958 ♪ Doo, doo, doo Lookin' out my back door ♪ 1190 01:24:31,611 --> 01:24:33,902 ♪ Forward troubles Illinois ♪ 1191 01:24:33,903 --> 01:24:36,152 ♪ Lock the front door, oh boy! ♪ 1192 01:24:36,153 --> 01:24:40,902 ♪ Look at all the happy Creatures dancin' on the lawn ♪ 1193 01:24:40,903 --> 01:24:43,416 ♪ Bother me tomorrow ♪ 1194 01:24:43,486 --> 01:24:46,791 ♪ Today I'll buy no sorrows ♪ 1195 01:24:46,861 --> 01:24:52,458 ♪ Doo, doo, doo Lookin' out my back door ♪ 1196 01:25:13,445 --> 01:25:17,402 ♪ Long as I remember ♪ 1197 01:25:17,403 --> 01:25:21,166 ♪ The rain been comin' down ♪ 1198 01:25:21,236 --> 01:25:25,152 ♪ Clouds of mystery pourin' ♪ 1199 01:25:25,153 --> 01:25:29,000 ♪ Confusion on the ground ♪ 1200 01:25:29,070 --> 01:25:32,791 ♪ Good men through the ages ♪ 1201 01:25:32,861 --> 01:25:36,652 ♪ Tryin' to find the sun ♪ 1202 01:25:36,653 --> 01:25:38,652 ♪ And I wonder ♪ 1203 01:25:38,653 --> 01:25:43,541 ♪ Still I wonder Who'll stop the rain? ♪ 1204 01:25:46,361 --> 01:25:49,777 ♪ I went down Virginia ♪ 1205 01:25:49,778 --> 01:25:54,125 ♪ Seekin' shelter From the storm ♪ 1206 01:25:54,195 --> 01:25:58,000 ♪ Caught up in the fable ♪ 1207 01:25:58,070 --> 01:26:00,641 ♪ I watched the tower grow… ♪